Inside this writer’s head

I’m halfway through the Clarion West Write-a-thon and having a great time working on screenplays and thinking about a special project…and telling my sponsors all about my process, technique, thinking and feeling in weekly letters. Nearly 8,000 words so far, with many more to come.

Here’s a taste:

From A Writer’s Journey, Letter #1:
 
It’s not enough to just write every day. Writers have to think as well as write.
 
You might be surprised how many writers do not like thinking. How many writers want creation to be some kind of spontaneous magic. I was one of those writers for longer than I care to admit, and it brought me nothing but heartache and insecurity. I wish I had learned sooner to embrace one of the essential tensions of writing: it requires both unconscious and conscious work; both magic and clear, cold decision-making. Anyone who is unwilling to make their storytelling process conscious will never be a consistently good writer. Ever. I absolutely believe this to be true, and I should know: I spent years wondering why I couldn’t be consistently good before I finally sucked it up and started analyzing – and altering – my own process.
 
—–
 
From A Writer’s Journey, Letter #2:
 
Ideally, I should accomplish this sequence in about 11-15 pages. Currently I’m at page 31 or so.
 
That sound you just heard? That was the producer’s head exploding ☺.
 
The thing is, this is a normal part of my process. I have a basic plan, and as I begin to write to it, I also begin to make deeper discoveries about the characters and their relationships. I am willing to follow my nose down some of those trails to see where they lead, and that means I write long. I write to explore, and I write to discover; but I also discipline myself to write within the basic beats that I have already established so that I can actually achieve some results. If I envision a story about star-crossed lovers in Chicago and then set all my scenes on the moon instead… well, that’s counterproductive.
 
—–
 
From A Writer’s Journey, Letter #3:
 
Let’s talk about “on the nose.” Remember The Sting, when the con men would signal each other by touching their nose? It was how they signaled that something important was happening. It’s also a phrase we use in English to mean exactly or precisely. In writing, it means that there is basically no subtext: the characters tell each other exactly and precisely what they are feeling in dialogue, or the writer tells the reader in exposition (which is like being hit on the nose with a hammer).
 
What I did was a subtle kind of on the nose. By making Rae’s every response driven by her baggage, I hammer home to the reader Look, she’s acting just like a person with baggage, she must have some! Oh look, she’s acting like that again! I think we’ve got some baggage here… It’s not that she says her subtext out loud: she does it out loud all the time, if that makes sense. She is Clearly Troubled. She may as well be wearing a badge.
 

I’m doing my best to give my sponsors a peek behind the curtain, because my sponsors rock. They are helping to ensure the stability and sustainability of Clarion West, and they have become part of my Layla’s. You can be a part of it too, and spend some time inside my writer’s head. Sponsor me with a donation to Clarion West, and I will send you a full set of past letters, and all letters to come. There is no minimum donation: every dollar helps Clarion West change writers’ lives, and we are grateful for them all.

Thanks for considering it.

Enjoy your day.

Spend an evening with George R.R. Martin

If you’re in Seattle on Saturday night, you have the chance for an intimate evening of food, wine and conversation with author George R.R. Martin, to benefit the Clarion West Writers Workshop. There are just a few tickets left to the event, and I want to make sure George’s fans and readers of this blog have every chance to grab them.

On Saturday night, Clarion West will host an evening in which George and 100 guests will eat, drink, and talk about… well, we’ll see (grin). Meet George over a buffet and wine reception; then take a seat and listen as the wonderful Connie Willis interviews him, followed by audience Q&A.

Won’t you join us? Tickets are $75. Email or call Davis Fox, our Executive Director (contact info below) to score that last ticket. Then put your party clothes on and spend an evening with two of science fictions most popular and generous authors. It promises to be a splendid evening, and I can’t wait for the conversation.

Details

Saturday July 7, 2012 • 7–9:30 p.m.
The evening will feature a light dinner buffet reception with wine.

Program: 8–9 p.m. George R.R. Martin will be interviewed by award-winning author Connie Willis, followed by Q & A.

Uptown Hideaway

819 5th Ave North, Seattle
Note: Entrance on Aloha St above Crow Restaurant

Attendance at this event is limited to 100 people. $75 per person

To reserve your ticket email davis_fox@clarionwest.org For more information please call Clarion West Executive Director Davis B. Fox at 206 322 7282.

Tweetchat Sunday June 24

In the spirit of full disclosure, I cribbed most of this text from various posts that Nicola has done. Because I am that lazy! And because she says it so well.

Sunday 24th June, 11 a.m. Seattle time (which is 2 p.m. for folks on the East Coast, and 7 p.m for those in the UK): Clarion West’s first ever Write-a-thon Tweetchat! Hashtag = #writeathon.

This is the place to come and let us know how you’re doing. What you’ve learned. What you hope someone can help you answer.

Nicola will be running the chat, and will be interviewing me as the special guest. We’ll talk about how to keep writing day after day, and how to persuade people to sponsor you. And any other questions you may have! We’ll also have Clarion West staff and volunteers standing by to help with any practical or logistics issues.

But mainly it is my hope that you’ll drop by and talk to each other. Writing can be a solitary business–but in the Write-a-thon we have 228 (the final total after the dust has settled) writers from all over the world aiming for the same goal: to get words on the page and money into the Clarion West bank account. We’re a community. We can help each other.

I recommend you download the twitter client Tweetchat which inserts the #writeathon hashtag automatically and refreshes quickly. That means we can talk faster .

Look forward to chatting with you on Sunday.

Enjoy your day.

Thank you, everyone!

Writer registration for the Clarion West Write-a-thon closed on June 16, and… well, just wow.

Last year, 142 writers participated. This year, we set ourselves a stretch goal of 200 writers, and asked everyone we know to spread the word. And you did! I am thrilled to report that we have 236 writers from all over the world in this year’s Write-a-thon.

Thank you all so much for all you did to get the word out. Here’s the thing: the Write-a-thon is our biggest fundraising event of the year. The money we raise helps us run the organization, including things like renting the workshop venue and offering financial assistance to students. We push so hard to have as many writers as possible because A) we think it’s a great opportunity for writers to reach goals in a supportive community, and B) more writers pretty much automatically means more sponsors. Just by spreading the word, you helped us raise money.

I am enormously grateful to all the writers who signed up. You are all Ultra Cool and you will write something amazing in the next six weeks. I just know it.

I am also grateful beyond words to the staff and volunteers of Clarion West who do a massive amount of work to make the Write-a-thon happen. Our Webmaster God, our Write-a-thon team of Deities whose patience and cheerfulness is, well, godlike, our Communications Goddess, our Database Goddess, our Social Media Goddess, every single one of you is Awesome with Sauce on Top. And anyone I haven’t mentioned can smack me through the internet for having a tired brain, but know that I worship you all.

And finally, I want to thank everyone who has so far sponsored a writer. Sponsors rock. Sponsors make the Write-a-thon world go around. Because of sponsors, Clarion West can do more for writers. Because of sponsors, writers dig in and do what they love, even on the days when it’s hard.

I wrote today, and I will be doing more outlining/structural work this afternoon. I am doing this because I love it, yes: but I’m doing it with grit because I have sponsors who put up money expecting that I will bring my best game to this work. I’ve been incredibly moved by the response I’ve had from sponsors so far. And that’s how I know how much it means to a writer when someone sends in a donation of any amount with their name attached. Every dollar matters to Clarion West; and every act of sponsorship makes a writer’s day. So please, please consider checking out this list of writers and picking one or more to support. Read the samples of their work. Read their goals. Read their passion and determination. And help them make it happen!

If you have questions about the Write-a-thon, check out the FAQ!

Enjoy your day.

Give a little bit

Yes, it is a Coca Cola commercial. No, I don’t drink it anymore, although I used to have a small bottle of Coke (remember those little class bottles?) and about a half a pack of Chips Ahoy chocolate chip cookies for breakfast as a young “adult.” It’s a wonder I have any brain cells left at all, between that and…ah, well, stories for another day (smile).

Here’s the story today:
 

 

I am a sucker for goodness and kindness in the world. People are being particularly kind to me right now: thank you, thank you to all the wonderful folks who have signed up so far to sponsor me in the Write-a-thon. I’m honored and deeply touched by the support I’ve received so far, and we haven’t even started yet! First, we have to have a party.

I hope some of you will join me tonight at the Clarion West party for the Locus Awards, at the Best Western Executive Inn near Seattle Center. The fun starts at 8 PM and ends when the last science fiction writer or reader falls over sideways. And that, my friends, can take a while, trust me…. We’ll be celebrating the Locus Award recipients and the kickoff tomorrow of the 29th Annual Clarion West Writers workshop, and the Write-a-thon. Join us if you can!

And thank you all for giving me a little bit of your life, your time and your love to support me and so many other writers in the Write-a-thon. Thank you.

Enjoy your day.

If you are, or know, a writer….

… do come join the Clarion West Write-a-thon as a participant!

NOW would be good (smile). As I write this, 178 writers are participating. If we recruit another 22 writers in the next 36 hours, Clarion West wins a $2,000 challenge grant from a group of donors.

That’s a lot of money for a small nonprofit. And you — yes, you over there in the corner who isn’t sure you have time, or that you have a story to tell, or that you’re a “real” writer — well, no one has time, and we all have a story, and you’ll never know whether you’re a real writer until you do your 10,000 hours of writing. You can do some of those hours in the next six weeks. So come, come on this adventure!

Why sign up? Oh, my goodness, the reasons. You commit to a writing goal for six weeks. You recruit sponsors (one or one hundred, it’s up to you!) who donate to Clarion West in support of your writing, your goals. In support of you as a writer.You work like a banshee because people spent money to provide you with encouragement. And you by jesus write something wonderful. Something that surprises you, pleases you, frightens you with its possibilities, makes you weep, makes you proud.

The Write-a-thon isn’t just “writing.” It’s a chance to rock your own world and help other writers at the same time. You help by being part of the six-week community on Facebook and Twitter (@ClarionWest and hashtag #writeathon) for updates, encouragement, and chats with other writers. You help by encouraging donations to one of the world’s best writing workshops in any genre. And you help yourself by writing. By reaching.

Summer is a season of open skies and freedom from constraint. Most of us have constraints nonetheless, but for the next six weeks, let’s be summer writers.

Please come join us! And please spread the word to writers you know. Register by the end of the day (Pacific time) Saturday, June 16 to begin creating your Write-a-thon page!

Enjoy your day.

Extraterrestrial

My friend Nacho Vigalondo made a great movie, and I want you to go see it!

Nacho is a Spanish film director whom I’ve known for a while. I still remember going to a Blockbuster video to rent his first film, Timecrimes (Cronocrimines). The twenty-something guy at the counter practically had an orgasm right on the spot. Oh my god Nacho Vigalondo is amazing I love this film he is so awesome. Then he led me directly to the exact spot on the shelf out of 127 million zillion DVD cases.

I loved it too. It’s smart and unexpected and philosophical, and I think Nacho probably made it for $500 and free beer for the crew, which I admire extremely.

Now Nacho’s second feature Extraterrestrial (Extraterrestre) is out in the world, and more to the point, about to go into limited release in the US. It will open in theatres in selected cities, and you can also arrange your own screening in your city through the wonders of Tugg.com (an utterly cool wave-of-the-future distribution method, here’s more about how it works).
 

 
I’ve seen Extraterrestrial twice, most recently when Nacho brought it to the Seattle International Film Festival. It’s a lovely, smart, funny and sad film. A romantic comedy with yearning at its heart. An alien invasion film that keeps the aliens offstage… or maybe not. Because like all good alien invasion films, Extraterrestrial is really about being human.

Plenty of other folks have said nice things about Extraterrestrial: IndieWire and Slant Magazine are among the many who show the love, and Salon.com leads with it in their Summer Alt-Movie Guide.

Get Nacho’s take on the film in this interview in the Miami New Times.

And here’s one of my favorite scenes — so much going on in the silences…
 

 
My friend Nacho made a movie! Go see it, go on. Have fun. Laugh a lot. Recognize yourself in the characters, who are so dear, so scared, so annoying, so brave. So human.

Enjoy your day.

Drowning

When I was two or three, I nearly drowned in a California swimming pool with adults probably no more than 10 feet away. By the time they reached me, I was floating face down in the deep end. When they picked me up, my face was blue from holding my breath.

No one had any idea there was anything wrong with me. And here’s a post that explains why you can’t always tell when people are drowning (thanks to Dianne Cameron for the link). If you ever even once in your life plan to be near water, please read it.

I don’t remember that day in the pool, except maybe in dreams. But I was afraid to learn to swim for a long time, and one of the most powerful lessons of my childhood was that adults I trusted (the wonderful counselors at my day camp when I was seven or eight) would jerk me around for my own good. You know the drill: I promise I’ll stand right here. Now swim to me! And then once I was committed, once I was thrashing toward them as if getting there fast was the same thing as learning to swim, they would move back step by step.

Between this and the teacher who pulled out my tooth in the bathroom one day, I was deeply cynical about adults by the age of nine.

I get why the grownups made me learn to swim. I would have done it too. I don’t get the teacher in the bathroom at all, although I have my theories. What interests me now, from this distance, is that they all thought it was for my own good. What interests me is that the counselors lied to me over and over, and I let them because I loved them. I hated my teacher, but you know, she never lied to me once.

And yet, I will still swim to the people I love, until I turn blue in the face. Go figure.

Enjoy your day. Don’t drown.

Beyond Binary

As a person and as a writer, I’m fascinated by gender, sexuality and identity, and I put little credence in ideas about what men or women can/should/must do. Biology disposes us in ways that I think we don’t fully understand, but taking the leap from biological disposition to social- and cultural-behavior determinism seems to me… well, it seems remarkably silly. I’m not the science person in our house, but you don’t have be to a scientist to see ample evidence in the world of men people doing things in the world that men “shouldn’t” do, and women people doing things that they “can’t” do. And those people aren’t always presenting like your grandmother’s idea of proper boys and girls when they do those things.

I was having a discussion with my producer the other day about the difference between character and cliche. I’ve written a screenplay that explores gender in a heretofore unusual way for me. Generally, I create characters not beset by the usual rules of gender. I don’t apologize and I don’t “explain.” But this time, I’ve put two non-totally-standard characters into a world populated by gendered folks, people caught in their own culture and operating within their constraints as best they can. It’s a rough world. People get hurt physically and emotionally. There are prostitutes and drug addicts and mothers and children.

My producer, who is on his own road to a brand of feminism that I like to think I’ve helped with (grin), asked me why I was writing prostitutes and sexually jealous straight women and bad mothers, given my concerns about gender. Weren’t these things cliches? I could have hugged him through the phone; I cannot wait for the day when every person in my life pokes at anything that smells like cliche, the same way I cannot wait for able-bodied people to call each other out on using disabled parking spaces. (Note to those wrongheaded parkers: Well, I’m only going to be a minute! is not a valid reason to co-opt someone else’s access. Park at the end of the lot and walk your ass into the store. /rant off)

I told my producer that the point is not to avoid writing about prostitutes or jealous women: the point it to make them real, surprising, compelling. To make them human. Because some of us humans are prostitutes and jealous women and bad mothers. The cliche is not in the job we do or the relationship we have: the cliche is when that thing stands in for our entire humanity, and everybody nods and says Sure, that’s what those people are like.

I write about the Other a lot. But cliche is the ultimate othering, and it is bad bad bad bad writing. And this is why this particular screenplay that I’m writing fascinates and frightens me: because if I make cliches instead of characters, then I am an asshole and I have to go back and start again. I have already been an asshole a couple of times in a couple of scenes, and wow, there’s nothing like the stomach-drop of Oh fuck, look what I just did.

I am happy to report that I was not an asshole in my novella “Eye of the Storm,” which has recently been reprinted in the anthology Beyond Binary: Genderqueer and Sexually Fluid Speculative Fiction, edited by Brit Mandelo. If you’ve read my collection Dangerous Space, you’ve already read “Storm;” so buy this anthology for the many other evocative, provocative stories you’ll find. And take a look at this extensive interview that Nicola did with Brit about putting the anthology together.

I’m delighted to be included in Beyond Binary and pleased that there’s a whole group of stories where the others aren’t Other, they are us.

Enjoy your day.

** And if you enjoyed my musings above about character and cliche, then please consider sponsoring me in the Clarion West Write-a-thon. I’ll be writing every day, and every week I’ll send my sponsors an email account of my writing journey. The above is an example of the sort of thing I’m likely to include, along with the ups and downs of the work, the writing challenges I have, and how this writer’s life feels.