Secrets

Another in the occasional Being Human series of posts.

When I was a little kid, secrets were friendship currency. “Having a secret” actually usually meant that you had shared something with someone that was so interesting that everyone else would want to know it too, if only… But it was our secret. That’s how we proved we were friends. And it’s how we proved… what? That we were real. That we had Something Going On even if we were only seven. Of course I couldn’t articulate it that way then, but it’s clear to me that the enculturation of child Eskridge was already in full swing. I was already absorbing the need to be part of a community, and already feeling the pressure to differentiate myself in positive ways. What a hideous tension to put upon children — be different and be part of the group: fail at either and find the weight of adult concern or adult annoyance or adult irritation falling on you from a great height.

When I was an older kid, I learned that most real secrets are not friendship badges. Most secrets are too big, too frightening, too painful, too awful to reveal because we know that we might be severed from our group. We’ll be different in all the wrong ways. Secrets are like bags of pus in a person’s chest or stomach. They burn, or they are cold cold cold, or they ooze through us like slime. But they are not for sharing.

And so I was gobsmacked years ago to stumble across PostSecret. People mail in their secrets anonymously on postcards, and Frank Warren posts a new set every week. There’s a discussion forum, a community of people who support each other in revealing themselves. He also has a PostSecret page on Myspace where he posts additional secrets.

Yes, it’s a business as well as a service. There are books, there are speaking engagements. Good. It means he’ll be able to do it a lot longer, and give more people the chance to experience the profound act of letting go of a secret. I’ve been struggling here to describe that feeling, and it’s just… well, right now I’m not finding the right words. Maybe you can tell me what it’s like, this revelation of self that is desperate and healing and frightening and sometimes just makes things worse, except maybe it’s worse in a better way because now we can be known. We can be seen. And we find that even if a particular relationship or community or desire or goal doesn’t survive — that we do. We survive.

Sometimes when we think we are keeping a secret, that secret is actually keeping us. –Frank Warren, founder of Post Secret.

But the important word there is sometimes.

One of the most telling discussions on the PostSecret forums has to do with a secret sent in ages ago: If you’re waiting for a sign, this is it. Do it. It will be amazing. Pretty powerful stuff that goes right to one of the deep places of being human — wanting to be “sure” that our risks will pay off, that we are doing the “right thing.” Wanting a sign from the universe. And some PostSecret readers took this as their sign, as their impetus to take whatever step they’d been considering.

But as the ensuing discussion showed, the universe isn’t always talking to us, you know? Some people “did it,” whatever it was, took their risk, and were happy they did. Some were bruised and blinking but still kind of happy, or at least thought they were better off. And some people were smushed like a bug by whatever they did, left bitter and angry and full of regret. Because sometimes the things we want in secret, the things we fear, or yearn for, our secret curiosities and desires and dreams, are not good for us or other people. Sometimes the secrets keep us safe.

How do we know the difference? I don’t know. I’m still learning.

And I read PostSecret every Sunday to see what chances other people are taking, to witness their courage or desperation or sadness or relief. These secrets, they’re like little stories told in fragments. As readers, we’re coming in at the middle: we can infer the beginning, and we’ll probably never know the end. But still, for that moment we’re connected. I don’t know, maybe it’s like those days in the schoolyard — we shared it and now it’s our secret. Or maybe it’s that the internet shared it and found that it is many people’s secret, and so it loses some of its iron-jawed grasp on each of us. I don’t know. But it amazes me that human beings will find ways to be connected. If we can’t find them, we make them. And then we use them to show each other ourselves.

Oops, more of a zebra

So it turns out that the Freestyle Horse video that Iraved about the other day is actually a Nike viral marketing video.

I remember the first time I got taken by a scammer on the street for $5 because he was “out of gas.” That was in the 80’s in Chicago. He got me talking, he affiliated, he got the five bucks. I didn’t find out until weeks later that this kind of thing was starting to happen a lot. I actually got red-faced when I heard about it, because I felt so stupid. I felt like a rube.

The nice thing is, it takes more than that to make me feel stupid these days. I like this video. I think it’s way cool that someone made it. I like what it says about the power and strength and ability of young women. In other words, I like the story it tells. And I really do always want to stay open to story, even if it puts me at a disadvantage sometimes (that $5…).

Does this mean we should always accept “the validity” of other’s stories? Always be willing to embrace the story as a good thing, on its own terms? Oh my goodness, no. Every one of us should have her bullshit detector turned way, way up on the human interaction level. The guy who insists on helping you take your groceries upstairs to your apartment because he’s on his way up to see his buddy down the hall — and who calls you paranoid when you say no — that guy is maybe not a nice guy. That guy is maybe testing you. Every human has firsthand experience of the harm of being open to a story.

As a culture we teach other to be nice, defuse conflict, avoid giving offense. And then we turn around and teach each other that being credulous or gullible in any way is basically a failing and a fault, and you get what you deserve for being an idiot. Pretty mixed message — be open, be supportive and accessible, and then take the blame when those choices lead you to a bad scene. And so we make each other feel stupid for falling for anything, in order to teach each other not to fall for the wrong things.

I think it would be better to teach each other to better recognize the wrong things when they come along, you know?

Critical thinking skills can help with that. Books like The Gift of Fear by Gavin de Becker or Always by Nicola Griffith can help. And it would be cool if we stopped assuming that violence was an appropriate consequence for inexperience or poor judgment.

Hmm… I seem to have traveled far from Nike. Let me wander back again. I now know the greater truth of the video, which is that it’s a deliberate story someone is telling me to make me like their brand a little better. And you know, it’s a good story. I’m still open to it.

Play like a girl

Another in the occasional Being Human series of posts.

Nicola posted this today. And I love it. I love that these young women are so brilliant at this. I would have killed for mad body skills like this as a young woman. I always admired the girls I knew who were good at sports, and this… well, it combines grace and talent and skill and a hundred split-second decisions about physics and geometry, and I just stand in awe.

And they make it look so easy. I just love their absolute sense of expertise, their genuine pleasure in making the shots, and the total lack of any body language that “apologizes” for either. And the ending is priceless, all the more so because it’s not that she didn’t make the cool shot, it’s just not the cool shot she was going for…

Anyway, go watch, and enjoy. I sure did.

Edited to add: Aha… it turns out that this is a viral marketing video from Nike. Well, here’s what I think about that.

Making better managers

Dilbert 18 July 2008

How true.

I haven’t mentioned recently the business idea I’m working on, but it’s still alive and on the horizon. I’ve been all about screenplay for a while, and the Humans At Work program has been on the back burner. No regrets — writing is better — but I’m determined not to let it die on the vine, either. So here’s an update for those who are interested.

Humans At WorkSM is a training program specifically designed to ground new managers in the basic skills of managing human beings. Because that’s what no one ever teaches us… and we bruise the hell out of each other learning on the job. It’s my experience that managing people well is a) the most important thing we can do in the workplace to ensure that the business succeeds in the long term, and b) not rocket science. Management (like communication, and marriage, and sex, and friendship, and pretty much every other relationship) is about behavior. It’s about skills, models, ways of being and doing, no different at its core than learning how to drive properly or understanding that you don’t shoot your neighbor just because his dog is barking (no matter how tempted you might be…).

So I’ve developed an intensive curriculum to help new managers start from a good base, so they can build experience in constructive ways rather than by damaging people around them through sheer ignorance. The curriculum is done (just needs a few tweaks). I’m building the website. And I’ve made some decisions that I think will raise a few eyebrows and possibly make some folks think I’m an idiot. Or maybe the whole thing will sink without a trace. It’ll be interesting to see how it all plays out.

I hope I can finish the site soon. It’s just fussy gruntwork at this point, and I need to buckle down and do it. But I also need to write an original screenplay, and plot out a YA novel, and get ready for more work on the current screenplay, and eat dinners and drink wine and see friends and dance and go to the movies and the park and and and… and it’s already July. It’s not stunningly original of me to say Oh wow, it’s true, time really does go by faster as you age. But oh, if only I’d known what I like to do and be, and had the skills to make it happen when I was 20, when I also had so much more energy.

But that’s not generally how life works. And you know what? If that’s the way it is, that’s cool. Knowing, being skilled, being confident, having focused passions as opposed to muddy longings — if I were given the choice between being 20 as I was, or 47 as I am, I choose now. This is better.

Hmm. Not sure how I got here from Dilbert, but there you go, sometimes the path is not straight.

I’m the Irish guy

It says so right here. (Thanks to Jill for the link.)

I will also speak to the truth of this one — the 80’s are hugely popular at the club where I dance, and even if I am only an Irish guy, I do know the words to all those songs (with a particular soft spot in my heart for “Tainted Love”.)

Also, you cannot be a Real Lesbian in a dance club unless you can do the Electric Slide. I myself cannot (yet), but I’m working on it!

Why are we so scared of naked people?

PBS. Shakespeare. Not exactly a combination that screams evil pornographic smutty filthy filth, now is it? Until you hear about Sir Ian McKellen getting naked as King Lear, and marvel at the mix of outrage and ewww that the notion seems to bring out of people. Just read the comments on the above linked post alone… and if you need more convincing that Americans are tight-assed about nudity, ask ten people in line at the supermarket whether it’s okay for people to get naked on screen or on stage or on the beach or in the fenced-in privacy of their own back yard.

Here, by way of contrast, is a thoughtful article and discussion (in the comments section) of real-live nudity and whether or not it’s artistically and culturally appropriate, aesthetic and/or harmful.

When I was 15 or 16, my high school bought a block of tickets to the touring production of Equus in Boston. Any student could sign up and go for free. A faculty member drove us in, fed us dinner, and herded us all efficiently into our seats. I didn’t know in advance that two characters (a young man and woman) would get naked onstage. And it wasn’t her nakedness that made everyone shift in their seats, it was his. I’d seen a penis before, but never a real live stranger’s penis loose in the wild, so to speak… and I remember the subtle shock that rippled through the audience. It was partly the sheer vulnerability of it, and partly the symbolic value — anything might now happen. And because of the staging — the play is typically done in the round, and the audience is essentially right on stage — the whole experience was very immediate. We could see the sweat in the actors’ armpits and the goosebumps on their thighs when the air-conditioning hit their bare skin… and suddenly the whole scene was so much more visceral.

That was 30 years ago, and things have moved forward. But this culture is still pretty damn confused in its response to public nudity. Nowadays it seems pretty much accepted for beautiful people to get naked, but let a non-airbrushed person show their skin and suddenly it’s icky and…. and what? I think that word we’re looking for is real. Nudity that we can objectify is fine. Nudity that makes a person more real instead of less — even in a completely non-sexual context — now, that’s scary.

And it is scary, that’s the thing. I say on the talk to me contact form that I won’t send people naked pictures. I’m not sure I would even take naked pictures of myself, not because I’m ashamed of my body, but because I have been socialized to believe that bodies are private. And also because so often women don’t have control over our own bodies, and so the idea of physical privacy becomes much more twined with ideas of safety and self-determination.

So I wouldn’t do a reading naked. I wouldn’t get naked to sell my books. But I might go to a naked beach one of these days. I would definitely skinny-dip with strangers (have done it before). And I would probably get naked on stage or on screen for a role, if it was what the story required.

So what’s the difference? What are the boundaries? No answers here, just questions right now, and curiosity about what others think and feel.

Scalzi’s excellent rant about Fox News

In my house, we haven’t watched television news for more than 10 years. Seriously. Because TV news has become a sad and disgraceful circus of whipped-up frenzy where all headlines are breathlessly delivered with great import, and the news is “teased” during prime-time commercial breaks with summaries intended to scare the pants off god-fearin’ white heterosexual middle-class home owners, where everything comes down to the terrorists, e coli, or Danger To Your Children.

So I get my news from NPR and the BBC, from Nicola (who gets hers from The Economist), and online — in this case from John Scalzi, who wrote about Fox News taking a racist swipe at Michelle Obama last month, and expressed himself so well that I just want to point to it and say, Yep, what he said.

So: Yep, what he said.

I’ve been meaning to link to this ever since I read it, but I dropped off the grid for a while right around that time, so it’s taken me until now to return to it. And isn’t it weird that I feel like I have to apologize for being “late”? Yeeps, internet culture is so… immediate. But there’s unfortunately no shelf life on racism, and there shouldn’t be a shelf life on smacking it down either.

Where the hell is Matt?

The first in the occasional Being Human series of posts.

Sometimes I just love human beings, and being human. Sometimes we just do the most amazing things. I’m going to be looking for more of those things to share here, because they please me. They give me a sense of being connected to everyone… and that’s a rare and valuable thing, hard to hold onto in the daily grinder where we all bump up against each other a little too hard sometimes.

So thanks, Matthew Harding, for making me feel like I belong to people I’ve never met, and they belong to me.


Where the Hell is Matt? (2008) from Matthew Harding on Vimeo.

Twenty years

Twenty years ago today, I met Nicola Griffith. Since then, we have drunk a hundred thousand beers, a million cups of tea, never run out of conversation, made excellent friends, had excellent adventures. Twenty years of helping each other do her best work, live her best life, be her best self. Today we celebrate.

Nicola & Kelley 2007

Honey, this one’s for you: Crystal – Fleetwood Mac

Do you always trust your first initial feeling?
Special knowledge holds true, bears believing.
 
I turned around
And the water was closing all around like a glove.
Like the love that had finally finally found me.
Then I knew.
And the crystalline knowledge of you
Drove me through the mountain.
Through the crystal-like clear water fountain.
Drove me like a magnet
To the sea.
 
How the faces of love have changed,
Turning the pages.
And I have changed
Oh, but you, you remain ageless.
 
I turned around
And the water was closing all around like a glove.
Like the love that had finally finally found me.
Then I knew
In the crystalline knowledge of you.
Drove me through the mountain.
Through the crystal-like clear water fountain.
Drove me like a magnet
To the sea.
 
“Crystal” – written by Stevie Nicks, performed by Fleetwood Mac

Sad week

Although I have a number of cheerful little posts lined up and almost ready to go, it seems wrong not to acknowledge that there is something going on underneath it all, and that’s why I’ve been away from the blog for so long. We did a hard thing, and now we are doing the hard time afterwards. I can’t talk about it right now, but Nicola has.

I’ll talk about it later.

But if posts are a little scrambled for a while, or something feels off, well, there you go. That’s how grief works.