Friday pint

Every Friday I transfer posts here from the Virtual Pint archives. Yes, this is Saturday. Life is like that sometimes.

The penultimate pints, for your perusal and possible pleasure. Past is becoming present…

  • Hope and happiness (December 2006) — Continuing the ongoing conversation about hope. And mystery.
  • Screen and short stuff (December 2006) — I don’t know if I’ll ever be able to attend the intensive screenwriting course I mention in this post, but I did recently attend a FilmSchool weekend seminar which was terrific. So much to learn…
  • Words in my head all the time (March 2007) — Talking for the first time about “Dangerous Space,” and the sea change in my sense of writing self that led me here, and eventually here.

Enjoy your Saturday.

Today’s LOL at our house

Nicola has just posted the funniest thing this week.

The thing is, I’ve been involved in product development for a large-scale brand. Product specifications, designs, and prototypes have a lot of approval stages. Many people said yes to this. Did no one ever step back and say, Dude, wait a minute…

Way too funny.

And yes, I know I should be offering you something of my own instead of shamelessly piggybacking on my sweetie’s ability to find the funny, but hey — I gotta go to the grocery store now. Hang in there, all of you, have a lovely day.

Edited to add: Nicola thinks this may actually be an Onion-esque type of spoof, which I would find equally funny and also reassuring… because we worries about the intellectual future of the human race sometimes, precious, we do.

Ink and Spin

Here’s a movie I’m really looking forward to: Ink, an independent film from writer/director Jamin Winans that’s playing in Denver now and that I hope will come to Seattle. It’s starting to build buzz as the next cult hit, and I’m doing my part to help that happen, because the trailer looks fantastic — eerie, fast-moving, layered, and maybe even some decent roles for women (say amen!). Take a look.

While you’re waiting for Ink to find its national audience and open in a theatre near you, check out this short film Spin, also from Winans. It’s a model of condensed storytelling, really nicely done.

I’ve been busy with, well, business — Humans At Work, job interviews, household matters. I’ve been away for a little while from fiction and from screenplays. To see work like this makes me want to dive back in and lose myself in some big project that will take me over, take me down deep, take me somewhere fascinating with some interesting characters… I can’t do that just now, but you know what? I think I’ll take take the the afternoon off and watch a movie.

Enjoy your day.

More on hunger

In the early 80’s, I saw my first Will Work for Food sign. I was riding in the back of a car; conversation was going on in the front seat, and no one else noticed. I was so horrified I couldn’t speak.

I had been “hungry.” I spent a month living on nothing but potatoes and bread; I took 248 pennies into Burger King for my single meal of the day one time; my friend Ronnie, who worked in the university cafeteria, used to give me breakfast for free on the sly when she could get away with it. But I’d never been in a place where I imagined standing out on the street with a sign like that.

When I was younger, wandering men who would work for food (whom we called hobos in the South, as opposed to tramps who stole or begged for money) turned up sometimes on our doorstep. They would ask my mother for work, and she would always say we had none (that was a lie, but she was a woman alone with a child and didn’t want strange men around the place). But she would always offer them food, and they would always accept. She had them sit on the front porch steps, and she took out to them a plate with a peanut butter sandwich, or a baloney sandwich if we had it, and a big glass of milk. They would say thank you, and eat the food, and bring the plate back to the front door when they were done. One time, I answered the door to take the plate, and the man said to me, Your mother is a good woman. And then picked up his things and went away, knowing that however good we might be, there was no more help for him here.

I don’t give money on the street, but I buy food for people who are begging for money. I’m ashamed that it took me a few experiences of this to remember to ask what they would like to eat, as opposed to just deciding. These people are mostly men, and some of them are bugnut crazy, and some of them are sad, and some of them are wary; but they always say thank you, and they always eat the food.

The thing is, I’m pretty sure that buying meals like this, and donating food to the food bank, is the limit of my help. And most of us have limits. It’s good to help other people when we can, and it’s everyone’s right to draw boundaries on how much energy they give to strangers. And it’s easier to intervene on an individual, situational level. It’s a lot easier to buy fried chicken and a cup of coffee and a bottle of water for a guy on the sidewalk than it is to fix hunger problems in my city.

Or so I thought, until I came across the article I posted yesterday about ending hunger. I’m still thinking about it. If you haven’t read it, please do. I’ve been trying for a couple of hours to find the right person in Seattle city government to send it to, but the city’s website is broken (hah, isn’t that just perfect?). Perhaps you can forward the article link to someone in your local government. Because it would be great if people on the street didn’t have to depend on people like me, who only help to the extent of the next meal. Maybe “will work for food” should mean that we will work to feed each other, instead of assuming that we should all just feed ourselves.

I don’t often believe in system solutions, because I often think they don’t work and sometimes even make things worse. But it makes sense to me that local governments should put systems in place to see that people don’t starve. I would much rather have a food system than a brand new sports stadium, for example. But hey, that’s just me.

What do you think about boundaries, about helping, about system solutions versus individual interventions?

Yes, we can end hunger

49lappe_markets

I hope someone in the Obama administration is aware of this story about a city in Brazil that is successfully fighting hunger (thanks to Jeremy for the link).

This is one of the grand things about human beings, this urge we sometimes have to help each other, in small ways and large. And to learn from each other how to make things better. It’s not just about changing process, it’s about changing perspective.

Edited 21 March to add: Thanks to Steve for this additional article on Belo Horizonte’s anti-hunger programs.

The Haunting

Busy day, and so although there are things to say and stories to share, today, as they say, I got nuthin’. But since I have written before of Shirley Jackson, and since so many high school students find their way here looking for essay content, I thought I would give you this — a few minutes of Act 1 of The Haunting, the 1963 Robert Wise movie based on The Haunting of Hill House.

This clip begins about 8 or 9 minutes into the movie, after Eleanor (Nell) has been invited to come to Hill House to participate in a paranormal study.

The book, and this movie, have long fascinated me. Eleanor’s overwhelming need to escape is so finely balanced against her clear instinct for good and evil, for what is good or not good for her. And yet, knowing that Hill House is not good for her, she enters into it with only minimal hesitation, with a subterranean lightness of being. There’s a sense of power and freedom in crossing the line of no return… and of course that’s where the horror always comes from, the final realization that what we thought was freedom was just a better trap. It’s subtle and brilliant stuff, both in prose and in film.

A brilliant horizon

Several staff writers for @U2 (still the biggest and best U2 fan website on the planet) recently reviewed the new album, No Line on the Horizon.

No Line on the Horizon

Love, love, love.

I’ll be writing my next “Like A Song” essay about “Breathe” in mid-May. But for now, here’s my review; I invite you to read the other staff responses, and give the album a listen. Chances are I’m listening to it too.

Enjoy.


It’s a brilliant album.

I am a U2 fan, but I’m not an automatic fan of all things U2. I haven’t listened to a single track from How to Dismantle an Atomic Bomb since the Vertigo tour. I am lukewarm about All That You Can’t Leave Behind — I love some of the songs there, but as an album it feels uneven to me, disconnected from itself and certainly disconnected from me. And so I’ve been worried.

And here I am, back again in the church of U2, mad in love with No Line On The Horizon.

It reminds me structurally of War — an album in two parts that takes me on a single, spiraling journey to a place that I can only describe as “deep inside.” Deep inside U2, who are in my opinion truly stretching themselves musically for the first time since Pop, and finally — finally! — back to making deeply personal music that is also sometimes political, as opposed to tub-thumping numbers or the horror that is “Window in the Skies.” And deep inside myself, too; these are songs I can connect with, soar with, cry to, move to. Songs I can love.

The base of the music is what I love best about U2: the strength and grace of the bass and drums, the guitar like soul in flight, the voice that is someone’s heart turned into sound. And from this base, the album climbs into places like “Breathe” and “Cedars of Lebanon” that literally take my breath away. I’ve never been so astonished by the ending of an album before.

It’s good to be in love again. It’s brilliant.


click here if you can’t see the player

Friday pint

Every week I transfer posts here from the Virtual Pint archives.

On the InterWeb where time is flexible, we have nearly reached the end of 2006. That means there are only a couple more weeks of Friday pints before we are magically back in real time (whatever that means in the virtual world…)

  • Never (November 2006) — It’s a big word, one I don’t use often. But I mean it here.
  • More naked (November 2006) — The continuing conversation on where the writer is, and isn’t, in the work.
  • The conversation (December 2006) — Nearly 21 years of talking, so far. I hope for another 50 or 60 at least.

Enjoy your Friday.

Slow buzz

I just heard a tock against my window and looked up to see a bumblebee…well, bumbling, that’s what they do. It tapped the glass and dirigibled off.

I’m learning that if I keep my eyes and ears open, and especially my heart, spring comes to me in ways that are unexpected both in form and in timing.

Do you hear that gentle buzzing sound?