Let’s dance

We’re fools whether we dance or not, so we might as well dance.
Japanese proverb

My dancing debut is Saturday, April 5. Two shifts: 6:30 – 7:00 pm, and 7:30 – 8:00 pm. I’ll dance the first Saturday of every month for the foreseeable future, although I’m not entirely sure that I’ll have the same shifts every time. We’ll see.

A reminder of the pertinent details:

  • Neighbor’s nightclub on Capitol Hill in Seattle.
  • $10 cover
  • Coat check provided, $1 per item, and tip the coat check dude, he’s a sweetie.

It can get crowded, but please let me know you’re there!

I am so excited!

When truth is braver than fiction

In my life, and my work, gender is many things — a gauntlet, a playground, a stage, a sex toy, a vulnerability, a power, an expectation, and a wide open space. I’ve done things that women aren’t “supposed” to do, and been told I’m either more or less of a woman for doing them. I have at various times either (or both) accepted and resisted gender expectations. I’ve done my share of boundary pushing.

But I’ve never had to be this brave.

There are billions of ways to be human. Here’s one. Good for these people. I hope they raise a beautiful little girl.

Slings and Arrows

I’ve been meaning for months to rave about Slings and Arrows because it is absolutely fabulously awesome (and available on DVD). It’s Top 5 television for me, along with Deadwood, Buffy, Firefly, The Wire, and Battlestar Galactica. (Okay, that’s six. Oh, well.)

I have a degree in acting. At one time, I wanted more than anything to be a professional film and stage actor (and if I can become a go-go dancer at 47, then I am sure as hell not giving up on acting just yet). I tend to fall in love with television that seems like Big Fun for Actors. I care about movie performances, of course — but a movie is a novella, if you will, whereas television series are novels. The best movies give me a chance to be part of a story, an experience with a specific emotional arc. The best television gives me a chance to be part of a world, to live over time with people, to go on and on from one emotional space to the next. I love that. It’s the only reason I watch television (unlike my sweetie, who adores educational programs and South Park).

And so I love Slings and Arrows. I love the people. I love that the acting and the writing are so good. I love that it’s about theatre. I love that it’s funny and gutsy and passionate and smart.

And there’s some kickass Shakespeare. I’ve done Helena (A Midsummer Night’s Dream) onstage, Lady Mac in my heart, Hermione (A Winter’s Tale) in auditions, and Ophelia’s mad scene in a bikers’ bar (but that’s another story). As well as being about life, love, and the chaos and joy of being creative, Slings and Arrows is also about the genius of Shakespeare, about finding one’s way into the words as living text rather than historical magnificence or high school torture. Absolutely brilliant stuff.

Here’s a long-ish (about 4:30) trailer for the show.

And here’s the scene that made me want to write a movie for Paul Gross one of these days.1 Because he does the best damn Ophelia I’ve ever seen.

1Oh, and I’m also dying to write for Frances McDormand, Jodie Foster, Laura Linney, Robert Downey Jr., Alan Rickman and Johnny Depp. Because they are all so interesting.

Get online, writer dudes

I love it when something can make fun of the two major kinds of writing I do at the same time (thanks, Gwenda).

But of course it’s not all funny, is it? The best comedy never is — there’s always that little nugget of truth at the core, like biting down on a piece of tinfoil inside a brownie.

I don’t think reading is dead. At all. But publishing… well, not dead, maybe not even dying, but changing for sure. Kassia Krozser talks about this at Booksquare, and I think it’s required reading for new writers and for all the established writers who think their only job is to write books. Because publishers will not make writers successful these days. They don’t know how. The people who make writers successful are readers. And so writers (and other artists) must go where the audience is.

Screenwriting, though… I’m probably not experienced enough to have an opinion, but I do, and here it is. Publishing books does not (necessarily) make writers successful. Getting movies made does (generally) makes screenwriters successful. Spot the difference.

So I’m thinking a lot about writing books and writing movies, and my place in both. What are my definitions of success? Does it matter if I achieve that success? And so on.

One thing I know that matters is to stay connected with people who love books and movies. I like doing that — readings, blogging, interviews, book groups, general conversation — and that’s lucky for me, because I think it’s more and more expected. Writers have to be more than words on a page these days.

The writer is not more important than the work. But people expect to see the writer, too. Novelists and movie people are the most direct and public storytellers we have in this culture where seemingly everyone has a public persona of some kind: Facebook, MySpace, a LiveJournal, a blog, member of email lists or online groups. Public storytelling is becoming an integral part of that online experience. That’s a much more varied and participative definition of art.

Is that a good thing? I dunno. And it doesn’t matter: it’s what’s happening. I’m not saying Robin Hobb is wrong about the pitfalls: I just think she’s spitting into the wind.

More musings to come.

A quarter pound of hope

I am slowly but surely transferring old Virtual Pint1 posts to WordPress. I had many good conversations in the virtual pub. Here’s one about hope that’s stretched out nearly three years so far… and I hope (smile) that it continues.

In chronological order:

And one on art and commerce.

Enjoy.

1 Virtual Pint was the conversational space on my old website.

Thanks Kelley!

Thanks for the help with the images business – I was asking about the big image but I’ll use the logo info too!

J.


You’re very welcome.

And for everyone else, who is wondering what the hell we’re talking about (grin)….

My site is based on the Revolution theme by Brian Gardner, a nice guy and an ace designer. Brian has developed a gorgeous, elegantly-coded and amazingly flexible suite of Revolution themes for WordPress, both for traditional blogs and for content management sites (I’ll be using this one for the Humans At Work website later this spring).

When I started working with Revolution, I had no WordPress experience, no php experience (the code on which WordPress is based), no css experience, and limited HTML skills. But I swallowed hard and took Brian’s word that Revolution is “an insanely customizable theme,” and am glad I did. I dug in, learned stuff, had some Very Scary Website Development Moments (you know, where you refresh your screen with the updates and suddenly everything is black…!). But I did my entire site myself, and had a blast.

And now (finally!) we come to the point. Brian set up a support forum for Revolution users, and it’s turning into a vibrant community of people willing to just pitch in and help each other with everything from the basics to the unbelievably esoteric. I swim in the basic end of the pool — I’m such a beginner myself, seems like my best help can be to explain to other beginners exactly how I figured things out, and I’m willing to outline process step-by-step in a way that doesn’t always occur to the more expert folks. That’s fine — there’s room for everyone to help, which is the beauty of the community that is developing around Revolution.

I believe in helping in this way. I am not the friend of a friend who will show up to help you move, or your emergency babysitter, but I like to share information and skills. I like to help people learn to fish.

And it’s interesting to me to realize when I sometimes resist helping (on the support forums, or anywhere else in life) — when it’s clear that the person asking for help has done a sum total of nothing to help themselves.

In the forums, this takes the form of “do my homework” questions. There are two categories of DMH folks. One type peppers the forum with questions — how do I install WordPress, how do I get change the logo, how do I put my own text in the template — that are already answered in tutorials on the site, or in other threads, or on the all-powerful Google, if one takes fifteen minutes to search and read. The other type (and here are the folks who really get up my nose) radiates with outrage at learning that “insanely customizable” doesn’t mean “just tap your heels together three times and wish real hard.” Well, I’ve never used WordPress before! How come that Brian Gardner guy doesn’t publish a complete step-by-step guide to installing WordPress, understanding css, and customizing every aspect in exactly the way I might ever want? He should send that to me with my download!

Grrr.

Usually I have to click away, and come back later when my patience is restored. Because it’s hard to tell from words on a page when people are just butt-lazy, or when they truly don’t know how to learn for themselves. If you ask me, the biggest educational crime our culture commits is that Suzy can’t read: the second biggest is that Suzy has no fucking idea how to learn for herself — how to do research, how to identify patterns, how to break down new ideas into component parts, how to relate new information to what she already knows, how to generate theories and test them. How to separate wishes from opinions, and opinions from facts. How to teach, and so learn more.

Since I believe it’s important to teach people to fish, I do my part by assuming that people really do want to learn, and don’t just want me to do their homework while they go out and get a latte.

And hey, J., this rant isn’t about you (waves). It has, as coffee used to, been percolating on the back burner for a while. Thank you very much indeed for taking the time to track me down, and I’ll be happy to help again if I can.

***

The management wishes to remind you that J. started this by talking to me. You can too, by using that link or the one on the blog sidebar. I enjoy interacting this way, so if you have a topic in mind, bring it on. Thanks to the Magnificence of WordPress, we can all get in on these conversations.

Support your local library

Last weekend, I participated in the King County Library System Foundation Literary Lions Gala to raise money for the county library system.

What a great event — very nicely managed, kind and courteous staff and volunteers, interesting speakers who didn’t speak too long, and a flattering focus on writers (most of us blinking like little owls in the glare of the attention). The wine flowed freely and the food was excellent, which is not so easy when you are serving a three-course meal to 300 people on the main floor of a public library.

I was struck by several things:

The event was set up to treat the “performers” (writers, speakers, etc.) very humanely. We arrived early and ate our dinner in a separate room (same food, same wine). Then we were released into the wild to mingle for 30 minutes with the patrons before their dinner was served (I took the path of long-term wisdom at that point and switched to water, on the assumption that they didn’t want me to be too entertaining…). During the patrons’ dinner, each writer joined a pre-assigned table for salad, another for the entree, and a final table for dessert and coffee (which we got to eat along with the big kids). That meant we each got to engage with 25 or so patrons. After the speeches, there was more circulating, book-buying, etc. with Young People In Black roaming the crowd with trays of champagne and chocolates.

I was there to perform. I was the dinner entertainment for book-loving, widely-read people who paid $150 a plate, or $2,500 a table, to eat chicken cordon bleu with “real writers.” The skill with which the event was managed made it much easier for me to do my part. And they had name tags with magnets on them so no one’s clothes got mangled. And I got a free copy of Tim Egan’s The Worst Hard Time. And a pretty maroon ribbon that said “Author”!

Hanging out with other writers is a real crap shoot. I’ve written before about the hierarchical pee-up-the-wall behavior that can happen when you get more than one writer in a room (see the little story at the end of that post). And I’m really not interested in spending conversational time with people whose primary need is to figure out whether they are above or below me on the success / prestige / who’s-your-publisher / how-important-are-you ladder. Especially given that Tim Egan is in the room, and he clearly wins whatever contest we’re running here, so everyone else is simply getting spun up on whether they get to stand on letter “D” or letter “J” in the alphabet line. For Christ’s sake, are we grownups?

Tonight was no exception. The first people I met were Writer and Writer’s Wife. He wouldn’t talk to me. His wife asked me what I had published. A novel and a short story collection, I said. Her next question, delivered with the satisfied smile of someone who already knows the answer and has figured out where you fit in her spectrum, was, “I see. Well, have you been at your craft long?”

I refrained from saying something ugly like Go patronize someone dumber than you, and just said, Why yes, about 20 years.

In the immortal words of Arlo Guthrie, Then they all moved away from me on the bench.

I think what puzzles people is that I will answer the questions but not play the game. Apparently, I am supposed to be embarrassed, ashamed or somehow diminished by the fact that I have not published as much as someone else, or that they have sold more books, or that I know their name but they don’t know mine. Apparently, I am supposed to accept that these issues of career are inextricably linked to the worth of my work and to my self-esteem as a writer. I should at least have the good grace to explain at length in conciliatory tones exactly why I’m not keeping up with the Writerjoneses, as some of the writers at the event did (completely unsolicited) with me. Apparently, this is part of the throat-baring that helps us accord each other the proper number of points so that we know who to talk up or down to. Or something.

I find the whole thing both quite funny and extremely sad. What a way to live. The fact is, I’m wicked proud of my work, and I feel no need to explain what I do with my time when I’m not out promoting something new. But it’s irritating as hell to have that be the basis for social interaction at these things.

Happily, not all writers are like this. I had a particularly interesting talk with Nancy Horan, whose book is doing very well, and who couldn’t be nicer to hang with at an event. I also met Kevin Horan, a photographer and photojournalist, who was kind enough to go take a look at my book in the bookseller’s area so he could find me again and talk to me about it. Nice people. And we never once talked about who could pee higher. Who cares? It’s a big, big wall, there’s room for everyone to pee up, down or sideways if they want.

It doesn’t matter what we read. Nancy Pearl, who emceed the event, said something that struck me so strongly I had to find her afterwards and thank her. She told a story about a group recently where she mentioned Sunshine by Robin McKinley, and a teenage girl in the back of the room gasped audibly and said, “Have you read that book? It’s my favorite book in the whole world!” And Nancy Pearl was able to enthuse with her about what they liked about the book. The point was that she wasn’t telling the girl what she “should” read — she was telling her that anything she read and loved was good. We talked afterwards about what a crime it is to puncture someone’s joy in a book just because you don’t think it’s “good enough” or “real literature.” Book snobs should all go to the moon and leave the job of promoting reading to people who actually think that reading is a lifelong adventure, not a barometer of social worth.

Reading isn’t dead. Tim Egan said so in his speech (he did a nice job and was very funny about politics, including pointing out that Rudy Guiliani spent 60 million dollars to win one delegate). But I know it’s true because of the patrons at the event. It was a treat to spend time at the tables with people who care so much about reading that they are willing to pony up for the library so that other people can read too. It was cool to see the plans for so many new libraries in the next few years — one of the new libraries will have apartments over it and a coffee shop next door! How cool is that, living over the library? It was wonderful to hear so many “library stories” from patrons — how libraries had changed their lives, or a library book had affected their career choice.

And I forget sometimes how many people are curious about writers. I enjoyed answering questions, telling stories, and hearing their stories in return. I enjoyed being reminded that what I do matters sometimes to some people. That there are moments when it’s important. That it’s not just about me, it’s about the power of story in human experience, and that I am fucking blessed to get to be a part of that.

Libraries matter. They are repositories of story and knowledge. They are havens for kids and adults. They build community. They offer the lifeline of books to anyone, for free. Libraries are good. And I am very glad that I got to help support some.