One way to make it a beautiful year

JDcalendar
My awesome photographer friend Jennifer Durham has done it again.

I think Jennifer’s talent is blazing and amazing. Her work makes me go still, opens up spaces inside of me, and fills me with a great sense of calm and wonder at the world. I can tell a hundred different stories about the same photo, because really the stories are all inside of me just waiting for something to call them out. Isn’t that what great art does?

I’m delighted that Jennifer is now making her work available in a 2010 calendar. The images are… well, they are everything. Powerful. Expansive. Joyful. Simple. Layered. And optimistic: essentially hopeful. These are all things I could use a hearty dose of in 2010. How about you?

See for yourself. Jennifer’s blog includes an order link and a complete slideshow of calendar images. Please share Jennifer’s link with your friends and spread the word that for the price of a calendar, we can all have more beauty in 2010.

Just for fun

Saturday I had the pleasure of teaching two mini-workshops on dialogue at Hugo House as part of their Write-O-Rama fundraiser. I’m delighted that they met their fundraising goal (and more) — one more thing to love about Seattle is how many established and aspiring writers will turn up to support their community.

And oh my word, the energy! For 35 minutes each hour, everyone wrote wrote wrote. No real noise in the working spaces except the tap tap of laptop keys or the scratch of pen on paper. And breathing. I don’t often get to watch other people write, you know? It’s mostly a private activity. Fascinating to see how still people become, how focused, how intent. Many times, their faces lose all expression except a certain sense of inward distance in the eyes, so you know they are looking at the paper or the screen but seeing some glimmer of another world that is beginning to live inside them.

I imagine that’s how I mostly looked too, because in both sessions I did the exercise along with everyone else.

It was absolute pure fun. Marvelous to simply write well because I can, to let my expertise off the leash to run not because I have a contract, or a deadline, or a particular “goal,” but just for the joy of it. And there’s no denying that for me doing it well is a big part of that joy: all my years of work and practice have paid off in this way, that writing is sometimes nothing more than, I don’t know, some kind of extreme sport or something. That’s not such a bad analogy — because these days the writing channel is wide open, and so even an exercise draws from deep places. And yesterday’s writing felt like a precision run at speed down a gentle slope: not challenging in terms of the course, but a chance to see what kind of chops I have these days to just make something up and bring it alive in half an hour in a room with strangers.

I thought I might share this newest writing with you, just for… well, for fun. Genuine first draft, presented here exactly as it was when I put the pen down each time yesterday (although, oh, the urge to edit…)

The mini-workshop was about how to help convey emotional truth through the specific behaviors that accompany what we say, and that sometimes carry the real meaning of the moment. I’ve turned my teaching notes into a post and exercise over at Sterling Editing for anyone who is interested in learning a little more about this. And here’s the exercise:

Write a scene in which two people are having a meal together in a restaurant, being served by a third person. The conversation of the two becomes a breakup. Decide what kind of restaurant they are in, and what kind of breakup this is (lovers, partners, spouses, business partners, friends, etc.). Write from any point of view.
 
The goal is not necessarily to finish the scene, but rather to take the time to live in each moment, find the emotional truth, and then decide whether the characters’ words speak for themselves, or if you need to find a specific behavior to help convey the meaning.

And here are a couple of servings of stories that may or may not ever live on paper again. Who knows?

Enjoy.


     Lily was already waiting when Cal got to Beth’s Cafe. Cal stood in the door to kick the snow off her shoes and watched Lily carefully line up the fork, knife and spoon precisely spaced on the paper napkin.
     Uh oh, Cal thought.
     From his place at the grill, Joey gave her a sympathetic look. She nodded, squared herself, walked to Lily. Lily sat up very straight as Cal approached.
     Houston brought the coffepot and menus. “Not very hungry,” Cal said, and cuddled the warm coffee cup as if it could warm everything: the weather, the chill in the booth, the cold hard lump in her gut.
     She sipped so she would not have to speak.
     “How are you?” Lily finally said.
     “Fine,” said Cal.
     She took another sip. Lily began to organize condiments.
     Cal said, “Look, I’m sorry. Really. I should have been there.”
     Lily nodded as she lined up the salt and pepper.
     “I really am sorry,” Cal said again, and she felt the quaver in her voice ripple all the way down to her hands, so that the cup clattered when she put it back down on its saucer.
     Lily looked at the cup, and then at Cal. Then she gave Cal a smile; only a little one, but it was like the sun peeking out of the fog. The room got a little brighter.
     Houston came back around. “You girls want anything to eat?”
     “Make it up to me with a 12-egg western omelet,” Lily said.
     “Oh, Lil,” Cal said. Lily pursed her eyebrows and huffed a little through her nose; a wordless It figures, sure, let’s not have what I want.


     “What’s your name, little sister?” Johnny said to the waitress. Lars could see why: she wore her body in a way that made you imagine tattoos and piercings underneath the uniform, and her expression was cold.
     “Her name is Star,” Lars said. “It’s on her uniform.” He knew he sounded sour and it made him feel small and desperate. “Great name,” he said.
     The waitress gave him a knowing look.
     “French, thousand island, blue cheese or creamy garlic,” she said.
     “I would always rather have something creamy,” Johnny said.
     Lars sighed. The waitress’ face didn’t change expression, but she walked away with a straighter back and a little more swing in her hips.
     Johnny settled back in his chair. “So,” he said, with a smile that was — creamy, damn it, Lars thought, a fucking creamy smile that made him want to reach a hand across the table and either strangle Johnny or drag him over for a kiss.
     “So,” Johnny said, “where would you like to go today?” He took a long sip of his iced tea and then wiped the moisture away with a drag of his beautiful wrist across his beautiful mouth. He never took his gaze from Lars.
     “You’re busy,” Lars said.
     “No, no. You came from LA. In a car,” Johnny added, as if it were a strange, amusing choice. “You didn’t come all this way just for iced tea and a tuna melt with fries.”
     Lars reached for his glass and drank some of the tea. It gave him an excuse to look at the table. All those miles: across the mountains in the rain, the flat tire at 10 pm and the near-death experience with a trailer full of pigs. To sit in a diner with the air conditioning too high and a man who had none of the warmth that Lars remembered.
     “I shouldn’t have just shown up,” he said.
     “Well. You’re here now. So where do you want to go?”
     Lars thought, I need to do this fast

In league with the freeway

For many years I lived a life of which long-distance driving was an essential component. I drove my little red 5-speed Toyota between Chicago, Florida, Atlanta, North Carolina, Michigan. Many solitary miles of road and music and cigarettes and highway food eaten from my lap. The varied environmental hygiene and interesting graffiti of interstate rest stops. Soldiering in second gear up the mountain and riding the brakes all the way down on the hairpin curves.

On the road, life is externally simple and internally limitless. There is nothing to do but drive, and as long as one is driving well, there is plenty of headspace to think, to feel, to dream and plan and wonder. I would dream of a big life with big love and big choices and spaces always opening up within me. I would dream of a life stuffed to the brim and beyond with everyday joys. I would relish the long hours of never slowing down that were my only chance to stop rushing through my days.

I have little desire to actually go back out on the road that way now; it’s a different world out there, I think. And I have so many of the things that I dreamed of during all those miles. But sometimes when I’m very busy and the days vanish into weeks, I miss that feeling of the long journey with the certain destination where all I have to do is drive, and the days become time out of time.

Big Log
by Robert Plant, Jezz Woodroffe and Robbie Blunt

My love is in league with the freeway
Its passion will ride as the cities fly by
And the taillights dissolve in the coming of night
And the questions in thousands take flight
My love is the miles and the waiting
The eyes that just stare, and the glance at the clock
And the secret that burns, and the pain that won’t stop
And its fuel is the years
Leading me on
Leading me down the road
Driving me on, driving me down the road
My love is exceeding the limit
Red-eyed and fevered with the hum of the miles
Distance and longing, my thoughts do collide
Should I rest for a while at the side?
Your love is cradled in knowing
Eyes in the mirror still expecting they’ll come
Sensing too well when the journey is done
There is no turning back, no.
There is no turning back on the run.
My love is in league with the freeway
Oh, the freeway, and the coming of nighttime
My love, my love is in league with the freeway.

Cool covers

Kelly Eddington is a fabulous artist who loves cats and U2. She used to do the Achtoon Baby cartoons for @U2 (where I’m a staff writer), which is how we know each other. Whenever I go to U2 concerts in my @U2 staff t-shirt and tell people my name is Kelley, they go into ecstatic paroxysms over the cartoon, and then I have to tell them No, I’m the other Kelley and watch their little faces crumple, because Kelly E is a genuine @U2 celebrity who can make The Edge out of a pair of pantyhose, and I’m just a writer (grin).

Kelly is also a high-school art teacher, and recently she went to the school library, rounded up an armload of books that hadn’t been checked out in a thousand years, and gave her students the project of designing new book covers. The covers are finished, the books are back in the library, and I’ll bet some of them get checked out now that they’re all dressed up in their pretty new party clothes.

bookcovers

I remember in 7th grade when my friend Susan, always on the cutting edge of style, came into homeroom one day with covers for all her textbooks made from different wrapping papers — tasteful, color-coordinated, and quintessentially cool (Susan was also the first person in our school to figure out that the rigorous uniform dress code said nothing about socks! Within a week, there was an explosion of colored and patterned kneesocks from which the school never really recovered…)

Kelly E has always reminded me of Susan that way. I’ll bet she was cool in 7th grade, and she’s certainly cool now. And what a great idea, putting students and creativity and books all together.

Enjoy your day. I hope there’s a book in it!

Shallow into deep

Monika Bartyzel at Cinematical has a great post on recognizing — and therefore bringing more attention to — unconventional roles for women. You know, the kind where women are strong, heroic, active, and maybe even over 40! (— Oh my god, Martha, what did she just say? My brain is melting! — Just breathe, George, just breathe. Remember it’s only a blog.)

No, it’s more than that, George. The day of strong, varied, tough, angry, competent, heroic, tragic, big-as-life grown-up women is coming, and I aim to be there. Because it all starts with the script. I’ve talked before about the kind of women I want to write… and you know what? I should be doing some of that right now.

But before I get busy, let me point you to Bartyzel’s post. Be sure to follow her link to the Hollywood Reporter article that sparked her thinking, and then read her post on the feedback-cycle possibilities for making the pool deeper and wider for women’s roles.

Me, I’ll be working on that. Enjoy your day.

Hugo House Write-O-Rama

Seattle’s Hugo House hosts a Write-O-Rama fundraiser on Saturday, December 5. I’ll be leading writing workshops at 2:00 and 4:00 in the afternoon — so find a few sponsors and please join me there!

It’s fine to just show up — no pre-registration is required. All workshops that day are free to Write-O-Rama participants. You just have to commit to raising at least $45 for Hugo House, and in return you get a full day of writing, free food, and a party. Should be fun!

As I write this, the Hugo House Write-O-Rama page has listed a completely wrong description for my workshop. It’ll be fixed soon It’s fixed now, but it’s funny, so I thought I’d share.

Here is what I will not be doing at Hugo House: This workshop will focus on how to write angrily, yet effectively, using more imaginative language than run-of-the-mill curse words. Useful for when you’re trying to plot out a good fight between characters or when you simply need to write the ultimate scathing ‘œDear John’ letter.

And here’s the real deal:

Write-O-Rama Workshop: “It’s Not Just What You Say” (2 PM and 4 PM)
 
Dialogue is much more than what characters say. We’ll look at how people communicate between the lines (or without them), and learn tips and techniques for visualizing and writing specific physical action and body language to carry the conversation.

It sounds a little less exciting, and you know what? I think that’s a Good Thing. I don’t want a roomful of Angry Writers!

Also, as a reminder, I’ll be teaching a six-week class on short fiction at Hugo House starting at the end of January. I’ll post details, registration and scholarship information next week.

Hope to see some of you at Hugo House soon!

Family Photo Event

If you live in the LA area and are looking for a great holiday gift or a way to celebrate a special family moment, check out awesome photographer Jennifer Durham’s new business — Family Photo Event.

familyphotoevent
photo by Jennifer Durham/Family Photo Event

In a quick and easy session (and I mean quick!), Jennifer captures your family in a beautiful setting and a happy moment — a birthday, anniversary, holiday, special event in your child’s life, or just because it’s time you all got together for a photo. I know from personal experience how easy she is to work with and how gifted she is as a photographer: two of her nature prints hang in my house, and you can bet the next time I’m in LA, I’ll be booking a session for a new author photo.

I treasure the family photos I have, even the blurry Polaroids and the ones where someone seems to be missing part of their head. I wish I had more like the ones Jennifer creates, that capture people looking relaxed and comfortable, simply being themselves together. These are the kind of photos that people return to again and again to look at with a smile, that make a guest say, Oh, this is great. You all look so happy!

Go check out Jennifer’s work. Give a session as a gift to friends or family in the LA area. And stay tuned: I’m hoping that she’ll be offering other ways to share her talent with people.

November: stop the madness

     — Oh my goodness, Martha, look! That Kelley Eskridge is back!
     — Why so she is, George! She looks a little worn around the edges.
     — She looks like she’s been rode hard and put away wet, is how she looks.
     — Now George, be nice.

Oh gosh, George, don’t bother, I know how I look. Fucking tired, is how I look.

Here are some stories of my November.

Our car has been leaking oil for a little while. Gosh, I thought, I’ll be responsible about this. Our car is a brilliant little 1992 Toyota which has always taken good care of us, you know? So I took it into the shop. Several hours and a truly vomit-inducing amount of money later, we had a new valve cover gasket, new distributor cap and wires, new rotor, new spark plugs, new front brakes, and a Stern Lecture from the mechanic about the state of the rear brakes and the tires.

I spent the time in the car shop lobby editing client manuscripts and listening to the radio. It was an alt-country station and the song I remember best had the chorus god is great, beer is good, and people are crazy. I heard it at least twice. I was there for a while.

A couple days later, we lost a hubcap. That’s okay, we have a whole set of KMart plastic-but-looks-like-chrome-if-the-car-is-going-fast-enough hubcaps in the attic. One morning I climbed up there, got a hubcap and a retainer ring out of the box, carefully and in an organized fashion put the box away (can you spot my first mistake?), climbed down, went out to the car and commenced to hubcaperate.

The plastic-not-chrome hubcap, being not exactly flexible, cracked.

Back to the attic. Time passes. Cut to: Kelley with new hubcap, hunkered down in the driveway pounding that sucker with a rubber mallet trying to get it to stay on — and the skies opened up. In 10 seconds we went from zero to pounding rain with just enough hail to make it more interesting. I was so wet that I thought, oh well, and just stayed out there until I got the damned thing on.

Two days later I pulled out of our driveway before 7 AM and headed for the gym, thinking What’s that funny noise?

Flat tire.

The one with the new hubcap.

At least it wasn’t raining. Yet. But it looked rainlike, and I’d just learned that particular lesson. So I went home and changed the tire ASAP. Nicola was still sleeping. I changed it very quietly, regarding the donut spare tire with deep suspicion because I always forget how little they are.

I went back to the car shop. Hey, you were just here! they said, and gave me a Stern Lecture about new tires. But they graciously repaired the flat and put it back on. I think they saw the white rings around my eyes at the idea of spending more money.

Two days ago… we lost another hubcap. Now seriously, isn’t this starting to sound like one of those movies where you want to yell at the characters not to do something stupid? Don’t answer the phone! Don’t go into the basement! DON’T TOUCH THAT TIRE!!!

This month, I have also spent at least 24 hours that I can never get back trying to undo the damage caused by Comcast Cable’s “customer service upgrade” to all-digital channels. I have been online with TiVo and on the phone with Comcast (and I know some of you out there share my pain right now). I have installed a digital adapter and re-wired the entire system and hacked TiVo. The net result of all this is that now our TiVo doesn’t work as well (because Comcast isn’t heavily invested in being TiVo-friendly) but at least we can get the fucking SciFi channel again to watch Stargate Universe. I love Robert Carlyle’s work, so right now it’s still marginally a win, but let me just take a moment to give an existential howl: Why does this shit have to change all the time?

This month, someone stole our mail at least once. Although we are in the city, our mailbox is practically in a different zip code (okay, it’s a block and a half away) because there are no sidewalks in our neighborhood and so all the mailboxes in the area huddle together in little clumps here and there, seemingly at random. But since it seems that there is Crime going on in the ‘hood (a number of burglaries recently as well — these things go in spates, and we’re in one right now), all of us in our little mailbox group got together and bought locking mailboxes, and our fabulous neighbors Ron and Kandi installed them for everyone. There was very little hassle for me, thanks to their hard work, but yeesh, what kind of asshole steals the mail?

November is the month when I go to the pharmacy and the prescriptions aren’t ready; when I forget one thing on the grocery list and have to go back; when Nicola’s monitor explodes or one of my programs crashes. When I have to take the screens off the windows and the sun umbrella off the deck, and admit that it’s winter. Bleh. It’s 4:15 and practically dark out, and I will be Very Glad Indeed in four weeks when at least I can tell myself that the days are getting longer again. I pulled a muscle working out and now I can’t go to the gym for a while, and I’m at a delicate black-box stage in my current screenplay story-development, and I am restless.

The interesting thing is that I’ve been oddly cheerful (or at least non-axe-wielding) about most of this. Lots of nice evenings with my sweetie and family and friends. I read the new Stephen King book! (Huge treat for me.) And I’ve been editing my socks off for Sterling Editing. Really enjoying it and, I believe, doing some good. I’m delighted with the response and the work that’s coming in. But you know, it’s a new job and a new business. So right now I’m pretty tired.

Anyway, that’s my month. I was There, but I’m Here now. December is nigh. How are you?

Let’s get visual

Information is Beautiful is a Really Cool Website by David McCandless that will make all the design/map gooby-geeks lovers who visit here absolutely wiggle. And since today sees the release of the Can-There-Ever-Be-Too-Much-Apocalypse film 2012, here’s McCandless on whether 2012 really will be the end of the world.

And look! You can indulge your infographic self on a regular basis here.

Wiggle wiggle wiggle. I see you over there…

PS: You’re all being very patient, thank you; and I actually do have things of my very own to say real soon now.