I can haz kindlebook!

The Kindle version of Dangerous Space is now available.

For those who may be new here, Dangerous Space is my short fiction collection that includes a winner of the Astraea Award, two Nebula finalists, three Tiptree Honor List stories, a story adapted for television, and story collected in The Year’s Best Fantasy and Horror. You can read three of the stories here: “Dangerous Space,” “Strings,” and “And Salome Danced.”

I’m very proud of my short work. I hope you enjoy it.

Staycation

— George, look! That nice Kelley Eskridge is back! You know, the one we thought was dead in the desert somewhere and eaten by vultures!
— That’s super, Martha. Pass me the TV guide, will ya?

Nicola and I are entering the third (and final, SIGH) week of our staycation, in which we have gone at most, I think, 10 miles from our own front door at any point. She is completely unplugged from the world, and I am maintaining a very limited online presence for making social arrangements and doing research for my own writing. But no email/work for Sterling Editing or Clarion West or Lambda Literary Foundation or any of the other-things-for-other-people we are involved in.

And it’s great. I like it very much. I’m just stopping by here today because there are a couple of things I want to announce (posts forthcoming) and it didn’t seem right to re-appear with a bang and a flash and then smile mysteriously and zoom away again.

I enjoy my blog. It is for me both a personal pleasure and an artist-obligation. Long unexplained absence from it is almost always a sign of overload, fatigue, a certain head-down-in-the-bunker just-worked-harder coping strategy. These are not good things and I am fucking tired of them. This next week is for reading, writing, thinking, eating, drinking, talking with my sweetie, and coming up with some better strategies.

And I’m closing comments on this post because A) I’m not really here and I don’t actually want to chat (smile), and B) because I don’t want any advice on this. I want this lovely, lovely time to breathe and to find my own path. So watch this space for some news bits, and then look for me in conversation sometime soon. I was going to add I hope, but fuck that. I don’t need hope. I need to make good choices.

But I really am feeling better! And I hope you are well and happy and making good choices too.

New Bones

Something beautiful from poet Lucille Clifton, who died in February. There’s so much to say about it that I find I can’t say anything, except that I believe in sun, and honey time.
—-
New Bones
by Lucille Clifton

we will wear
new bones again.
we will leave
these rainy days.
break out through another mouth
into sun and honey time
worlds buzz over us like bees,
we be splendid in new bones.
other people think they know
how long life is
how strong life is.
we know.

Clarion West seeks ED

As many of you know, I recently became Board Chair of Clarion West. It’s an extremely cool organization, and we are looking for a part-time Executive Director in Seattle to come be part of our extremely cool team. We are committed, serious, fun, diverse, professional, and passionate about helping writers launch their careers.

If you like the look of this, or if you know anyone who might think that a part-time gig with one of the world’s best speculative fiction workshops is a dream come true, please check out the details below or at the Clarion West website.

And here’s a PDF of the announcement.

Thank you!


Executive Director
Job Announcement

The Clarion West Writers Workshop, a 501(c)(3) nonprofit organization located in Seattle, Washington, is seeking a part-time Executive Director.

About Clarion West

The Clarion West Writers Workshop is a six-week workshop which helps new writers prepare for professional careers in speculative fiction. Every summer, 18 writers come together in Seattle in an intensive professional-level live-in workshop experience led by established writers and editors who offer critical feedback on writing, insight into publishing, and career advice. In conjunction with the annual workshop, we hold a reading series to showcase the work of our instructors and other events to bring together writers and readers of speculative fiction.

Our workshop has been held continuously in Seattle, Washington for more than 25 years. We have produced some of science fiction and fantasy’s top writers and editors, and our graduates have received every major form of recognition in the field, including the Hugo, Nebula, and World Fantasy Awards. Our workshop is a transformative experience for many writers.

We’re committed to the growth and success of speculative fiction writers; fostering diversity within speculative fiction; and building a global community of recognition and support for writers, readers, and industry professionals.

Clarion West changes writers’ lives. We’re looking for the right person to help us keep making that happen.

For additional information about Clarion West, please visit our website.

We’re Looking For…

An Executive Director with demonstrated fundraising and leadership ability who will embrace the Clarion West culture of collaboration and teamwork, and support our staff, volunteers, and board of directors in nurturing the workshop and sustaining the organization.

The Executive Director does not directly manage the workshop; we’re looking for a leader and manager for the organizational structure that promotes and sustains the workshop and the extended community of alumni, donors, supporters, and industry professionals.

This is a paid part-time job estimated at 500 hours per year. Although the workshop is held in summer, the Executive Director has year-round duties and responsibilities. The position is based in Seattle.

Key Priorities

  • Lead fundraising and development operations.
  • Manage Clarion West staff (with Workshop Director, Communications Director, and Office Manager as direct reports).
  • Ensure that all workshop, fundraising, communication, and administrative activities run smoothly and meet the goals set by the Board of Directors.

Key Responsibilities

Leadership and Management

  • Recruit, hire, manage, and evaluate office, workshop, and communication staff. Ensure adequate volunteer support.
  • Demonstrate sound human resource practices, commitment to diversity, and timely response to staff requests.
  • Ensure that all operations meet the goals set by the Board of Directors.
  • Ensure that the organization operates within budget guidelines.
  • Oversee maintenance of official records and documents, and ensure compliance with federal, state, and local regulations.

Fundraising

  • Plan and oversee the execution of fundraising, development, and alumni relations operations.

Board Relations

  • Develop program, organizational, and financial plans as requested by the board, and carry out plans and policies authorized by the board.
  • Act as the interface between the Board of Directors and the rest of the organization, seeing that the Board is fully informed on the condition of the organization.
  • Work with the Board of Directors to assure that the organization has a long-range strategy for its survival and improvement, toward which it makes consistent and timely progress.

Community Relations

  • In concert with the Workshop Director and Communications Director, maintain and support sound working relationships and cooperative arrangements with speculative fiction community groups and other relevant organizations.
  • In concert with the Workshop Director and Communications Director, maintain overview of developments in the speculative fiction field and in the area of writers’ workshops.
  • Ensure that all Clarion West staff and board members work together to represent Clarion West programs and the point of view of the organization to agencies, organizations, media, and the general public.

Qualifications

  • A proven ability to create fundraising strategies and process; manage fundraising operations; and raise funds from a range of sources.
  • A proven ability to lead, support, and mentor staff with integrity, enthusiasm, an emphasis on collaboration, and a commitment to results.
  • Excellent communication, listening, and relationship-building skills.
  • A minimum of four years of management and supervisory experience.
  • Proven commitment to diversity and inclusion.
  • Knowledge of nonprofit board structures and principles of governance.
  • The ability to work a flexible schedule.

To apply

Please submit a cover letter, resume, and contact information (phone and email) for three professional references. Submit your materials electronically, in Microsoft Word or Adobe PDF format, to:

Kelley Eskridge
Clarion West Board Chair
kelley_eskridge [at] clarionwest [dot] org.

We will begin reviewing applications on April 21, 2010.
The position will remain open until filled.

If you have questions

Please contact Kelley Eskridge, Clarion West Board Chair, at kelley_eskridge [at] clarionwest [dot] org.

Box office magic, baby!

We are all about the movies today in our house. Nicola gives you a look at the new Robin Hood, and I have this snort-your-tea trailer (big hat tip to Colleen!) for a film I am sure will be an instant classic. Man, I should have written this movie…
 

 
Enjoy your day.

(Sorry about the ads — I don’t seem to be able to do anything about them, but you can turn off the ad window).

Oscarisfic

Nicola and I Tivoed the E! preshow awards because we like to look at all the pretty dresses, and then of course the Oscars. We drank beer and wine and ate dinner while we watched (skipping all the commercials, which is the beauty of TiVo). I got snockered, because I do every year for the Oscars — they are, even more than writing awards, my Great Big Dream of Recognition, and I like to drink and wave my arms and opine about the speeches, and most of all to imagine myself there. My BA is in Acting, and I’ve been on stage, or writing, or both, since I was 8 years old: the Oscars have always been one long evening of what if and what I would say and how marvelous it would be.

So, a few thoughts on tonight:

Isn’t Kathryn Bigelow awesome?

Helen Mirren is so gorgeous and I want to be her when I grow up.

I love that for the Best Actress and Best Actor nominations, they bring out people who have actually worked with the nominees who can say something personal about them and their work. It’s a big award; it’s nice to have a chance to see the nomination be truly meaningful.

I read the screenplay of Precious recently, and thought it was astonishingly moving. Screenplays are not novels: it’s not so easy to make them interesting reads. This one is really good.

James Taylor can still sing. It is nice to see age and experience onstage. Youth and energy and potential has its place, but the older I get, the more I enjoy seeing potential realized.

Someday writing awards will be sexy. Today is not that day.

Can I just double down on the Kathryn Bigelow thing?

In 1989, after Clarion, when Nicola was back in England and I was in Georgia, I wrote her a long letter that was essentially a play-by-play of the Academy Awards. That year they made a bunch of unfortunate women dress up like dancing stars with tap shoes. The star costumes covered their heads and bodies, so out on stage they were just great big gold stars with legs and arms, tapping away. It was a particularly funny production number, and with any luck at all we will not see its like again. I sat on my sofa with a glass of wine and drew Nicola a little picture of the dancing stars. I don’t remember who won that year, but I remember wishing that she was there. So tonight was a good night, you know?

Have a good week. The world is full of magic: I hope some of it comes your way.

Læta Kalogridis talks about screenwriting

I haven’t been out of my editing/writing cave in a while, and I’m missing the movies. I like matinees with quiet grownup audiences and fresh popcorn. I like that immersion in story…

But right now it’s all about the Netflix, and that’s good too. There’s lots on our list right now that I’m looking forward to, including Shutter Island. I’m always curious to see how writers handle adaptations of fiction like this, that has an essential secret at its heart. It’s easier to keep these kinds of secrets in prose, it seems to me, easier to bring the audience into the mystery without making them feel jerked around.

And so I was interested to read this interview with Shutter Island screenwriter Læta Kalogridis. I thought I’d be reading about adaptation: instead, I found a very thoughtful discussion of women in Hollywood, urgency and violence in narrative, and a lot more.

And she’s from Winter Haven! (*Tampa native waves at Læta Kalogridis through the internet*)

Enjoy.