The shirt on my back

No meaningful content here today, brothers and sisters. I am in Clean Off My Desk mode, and it’s not a pretty job, I can assure you. Not a task for the faint of heart. And so I will put on one of my favorite Threadless T-shirts. These shirts give me superpowers, turning me into a hyper-organizing detail-oriented ruthless discarder of All That Is Not Necessary. Oh, and they will also make me rich and give me power over everyone. I am fairly certain I will use this power only for good.

Who shall I be today? A Corporate Zombie?

Corporate Zombie t-shirt from Threadless.com

Or shall I be Treasured? (As in, I believe, “treasured memories.” This is a two-sided shirt that tells a little story…)

Treasured t-shirt from Threadless.com

If you like these shirts, see what else Threadless has got going on.

And whatever’s going on for you, I hope it is productive and gives you great satisfaction, and perhaps the delusional but nonetheless comforting feeling that this time the desk will stay clean forever and ever and ever…

Art and money

I used to spend time struggling with the idea of “fairness.”

Do you, ever? Do you think about whether people or situations or the universe itself are fair to you? Or to other people? I’m not even sure I know what fair means anymore… but I’m pretty sure that it’s meaningless to talk about it in any context beyond that of specific personal interaction.

I think it’s fine to tell a friend I think they are being “unfair” — they aren’t taking something into account that they should in this moment, or they are judging me without empathy, or…. well, there are many ways that people who are vulnerable to each other can be unfair, you know? Perhaps fairness and vulnerability are linked in this way… I don’t know, I’ll have to think more about that. But I do know that part of my definition of closeness is that there is space for me to speak and be heard.

But, you know, Life and The Universe and the Random Strangers Of The World do not have to listen to me. It’s not a rule. And so how can I possibly expect fairness from them?

It’s nice to think that things happen for a reason — good things and bad things — because it makes it seem possible to control them if we only understand the cause. It makes it seem that we can interject an element of fairness into these universal transactions. But, you know, it’s not “fair” that Nicola has MS, and it’s not unfair either. MS is in the world, and people get it. It’s not fair that our beloved cat died this summer and broke my fucking heart and that I still cry so hard I get nosebleeds, but it’s not unfair either. All living things on the planet die. It’s not fair that I have specific opportunities that other people don’t, and it’s not unfair either. It’s the result of a million choices that I made, and that some of those Random Strangers made, that ended up bringing us together in ways that changed our lives. That’s what happens. (I recognize that many of my opportunities are a result of social injustice to other people — but I’m not sure I wish to apply the word “unfair” to that anymore. Wrong? Yes, that’s a good word. But this idea of fairness is something else.)

And in the midst of thinking about fairness, today I read this post on Seth Godin’s blog: Maybe you can’t make money doing what you love.

I’ve long felt this way. I knew I would not make a living as a writer at the beginning, and that’s why I was so happy to find myself at Wizards of the Coast, doing work that I could really get behind, that changed me in ways I will carry with me for the rest of my life. That’s where I made the money that let me stop working full-time and focus on my art. And you know, it never occurred to me to think it was unfair that I had to do that. Why should I expect people to support me — to pay for my life on the planet to whatever standard I set for myself — just because I want to express myself? Just because I want to make art?

Don’t get me wrong, I think it’s great that people make a living as artists, and I would like to do it myself — but I sure as hell don’t expect it, and I don’t think it’s a direct measure of the value of my art if I do, or if I don’t. I think it’s just what happens.

And the interesting thing to me is that, like Seth Godin, I have lots of negative capability around this stuff. Screenwriting fascinates and compels me because it is both art and work, in all the ways that I understand the latter — creative, collaborative, communication-dependent, and focused on results that do not necessarily reflect only my needs. The opportunity to do it was one of those million-choices confluences. And it gave me the enormous gift of rediscovering pure passion for my writing, and the equally great gift to walk away from standards of commercial success that I could not live up to.

But you know what? If it works out, I’ll have found a way to make money through art.

I used to spend time struggling with the idea of fairness. Now, I’d rather spend time making choices. And seeing what happens.

The fairy castle

When I was a little girl, I found a book in the library….

A side trip here. My mom was the librarian of my grammar school, which I’m sure is why I love libraries so much (apart from, you know, all the books). Thanks, Mum (waves at mom through the internet). So I’m not sure if the book I’m telling you about was in the school library, or in the Tampa Public Library which we also frequented, and I’ll tell you what — that one might have had more books, but it wasn’t nearly as good as our school library, seriously. All the books were hard to find (card catalogs, kids, these were perilous times..) and a lot of them hadn’t been checked out in years and smelled like cat pee.

… anyway, I found this marvelous book:

And I fell so hard in love, I just couldn’t stand it. Colleen Moore came from a wealthy, connected family and she knew architects, artists and artisans, designers… and they helped her create a miniature fairy castle (which cost a half million dollars in the 30’s, so you can imagine the opulence).

And it’s awesome. There are teeny working electrical lights, miniature Royal Doulton china, the world’s smallest printed bible. 2,500-year-old Roman statues. Silks, tapestries, murals and paintings signed by famous artists, color everywhere, and all just dripping with imagination… I thought it was the most beautiful thing I had ever seen. I think it was the first time I was seized by fantasy in this way — I was always captivated by story, but I don’t remember any distinctive fantasy stories lodged in me until this book, when I started making up my own stories about the people who lived in these rooms.

When I was older, we took a trip to Chicago and visited the castle in the Museum of Science and Industry. It was very cool to see it in person, but also, in the way of exhibits, it was a bit of a letdown — not because the castle itself was disappointing, but because the experience didn’t have the intimacy of all my hours with the photographs. Reading the book, I could be close to everything. I could stand in every room, imagine the process of creation while reading the text, see it come alive. But in the exhibit, standing at an appropriate public don’t-touch distance behind a barrier — well, that says it all, really.

And so I remember best the castle of the book. But it’s still in the museum, and through the magic of the interweb you can see it up close and personal too. (Be sure to click through all the tabs — under the “Exhibit” tab there is a series of photos of the rooms.)

Go take a look. Tell yourself a story while you’re there.

What’s so bad about happy?

I haven’t seen Happy Go Lucky yet, but I can already tell it’s a movie that’ll piss a lot of people off. Because nothing bad happens! And that’s not realistic!

Well, no. Maybe not. And right now I think that’s just fine. I know the difference between realism and wish-fulfillment. And why, I ask you, why is it so bad to just throw ourselves every once in a while into the Great Big Mud Puddle of Smoodgy Fabulous Dreams and roll around for a while?

Dana Stevens argues in this review that “for a moral fable like this to work, the protagonist’s goodness needs to be tested against the possibility of real evil or violence.” I get that — one of the things I loved about Lars and the Real Girl was the tension early on that people would be cruel to Lars, and the marvelous sense of relief I felt when they weren’t. Lars was so realistic in that way.

But I have enough real in my real life right now, thanks very much. So I’ll be seeing Happy Go Lucky. I don’t know if I’ll like it — but if I don’t, I sure hope it isn’t because it’s too happy for me.

The Haunting of Hill House

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

* * * *

Eleanor Vance was thirty-two years old… The only person in the world she genuinely hated, now that her mother was dead, was her sister. She disliked her brother-in-law and her five-year-old niece, and she had no friends. This was owing largely to the eleven years she had spent caring for her invalid mother, which had left her with some proficiency as a nurse and an inability to face strong sunlight without blinking. She could not remember ever being truly happy in her adult life; her years with her mother had been built up devotedly around small guilts and small reproaches, constant weariness, and unending despair.

* * * *

It was the first genuinely shining day of summer, a time of year which brought Eleanor always to aching memories of her early childhood, when it had seemed to be summer all the time; she could not remember a winter before her father’s death on a cold wet day. She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one’s childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by. Yet this morning, driving the little car which she and her sister owned together, apprehensive lest they might still realize that she had come after all and just taken it away, going docilely along the street, following the lines of traffic, stopping when she was bidden and turning when she could, she smiled out at the sunlight slanting along the street and thought, I am going, I am going, I have finally taken a step.
 
from The Haunting of Hill House by Shirley Jackson

Eleanor is going to Hill House. What do you suppose will happen when she gets there?

If you have not read this book then I envy you, as I do anyone experiencing a good story for the first time. Read it. It’s short and powerful, frightening not with blood or gore but only through the slow revelations of the fears and madness that people carry inside.

And do see the fabulous 1963 movie The Haunting, directed by Robert Wise and starring Julie Harris as Eleanor. But do not see the stinky terrible deeply stupid horrible bad 1999 remake, ick ick ick.

I’ve always loved Jackson’s work; she was an awesome writer, spare and specific and very good at capturing the superficial interactions of people with all the tar bubbling underneath. She’s a writer that new writers can learn from — about economy, how to report things about a character without stooping to the dreaded “telling,” how to show the nuances of sexual tension or fear or rebellion without pounding it into the reader’s head.

So I was delighted back in 1998 to be invited by Ellen Datlow, fiction editor of OMNI, to take part in a round robin story with Graham Joyce, Ed Bryant and Kathe Koja. The conceit of round robin is that each writer takes a turn with the story, writing a short entry (500 -700 words) as quickly as possible, then passing it along to the next person.

We decided our story should be an hommage to Shirley Jackson, and that’s how we started it, although I think it drifted fairly quickly (grin). It was a fascinating experience working with these folks. I enjoyed coming home from my work at Wizards of the Coast, grabbing a beer on my way downstairs to my basement office, turning on the computer, reading whatever entry had been handed off to me, and then…. just beginning. Exhilarating stuff. Here it is, if you’d like to read it. But, straight up, Jackson is better (grin).

I am going, I am going, I have finally taken a step — who among us does not know that feeling? It’s a pull like leaning over the roof edge of a very tall building. It’s the thrill when everything you know disappears in the rearview mirror and you are clean and new, you could be anyone, and nothing you’ve left behind can touch you. It’s only what’s ahead that will shape you now. Or at least, that’s what we want so badly to believe. Jackson knows better; and Eleanor will find out that we always bring ourselves on these journeys.

Get busy, child

For various reasons, I have to get busy. I have a lot to finish in a very short time, and then a lot of new things to start when these current things are finished.

It is 5:40 AM, and I am fucking busy.

I do a lot of work — especially a lot of screenwriting — to The Crystal Method. It’s focused forward-motion music, and I use it when I need to power through a project. I find it impossible to listen to TCM and not get busy. I also find it impossible not to dance in my chair sometimes, but that’s just me…

So if you’ve got things that just have to get done today — or if you just want to dance (grin) — then here’s some music for you.

And that’s it from me today. I’ll be over here, getting things done.

Friday pint

Every Friday I transfer posts here from the Virtual Pint archives.

  • Lindsey’s mom (April 2003) — Because sometimes the most human thing you can do is buy vaseline for a hurt snake.
  • The men of Solitaire (April 2003) — Are the men in the book weak? Mileage varies… Plus, wars stories of Life In Television.
  • I believe in stories (May 2003) — More on Bonnie Main, the power of story, and my impending high school reunion.

Have a lovely day.

No ladies at the gym

I wake at 5:00 AM, probably because I wrote a bit yesterday and had conversations with people that turned into a whole new screenplay idea — so this morning my eager writer-brain clearly thinks we are back on our drug of choice. (Side note to writer-brain: we are nearly there, just hang on a little longer…).

6:02 AM. I am driving to the gym. It’s dark and for the first time truly cold, but the trees still have their leaves and so in spite of the chill, everything feels lush and mysterious. I have a clear, sharp memory of being about 12 — my parents owned a restaurant, and sometimes my father would wake me at 4:30 or 5:00 and take me with him to the Farmers Market. It was always dark, and often cold, and we would drive silent together through empty streets. And then around a dark corner into the light of trucks and stalls and ceiling heaters, voices yelling, the smell of coffee and diesel fumes, baskets of berries, enormous oranges, mountains of potatoes put into careful piles by the hard hands of men whose easy laughter made their hard faces beautiful. Those mornings made me realize that there were other worlds beside the one I lived in, and that I could go to them. All I had to do was get up early and drive.

That was a long time ago, but I still love the memory. When I was in my 20’s and often drove between Chicago and Florida, I would set off at 3:30 or so, drive through the dark and then the dawn, and by the time day came I already felt free, as if being out of sync with the regular schedule of the world somehow made lighter whatever baggage I might be carrying. I am sure that came in part from those few mornings with my dad.

6:05 AM. Curves is a women-only gym and the workout is based on resistance training, so anyone at any fitness level can go to their own personal max and get something out of it. And so we are not glamor girls at Curves. We are in our 40’s and 50’s and 60’s, we are fat and lean, we are mostly white and straight, married or divorced. And as is so often true of women in the absence of men, we are still nice, but not particularly careful or shy. When I walk in today, the place is full of us.

6:06 AM. I join the circle of machines and start my workout to an aerobicized cover of “Dark Lady” by Cher.

6:09 AM. The woman across the circle is talking cheerfully about anal leakage from eating too much olestra. The rest of us are laughing ourselves sick.

6:15 AM. The discussion has moved on to sports bras and breast bounce during exercise. All the large-breasted women in the room are holding up their boobs with their hands and making funny faces. The rest of us are laughing ourselves sick.

6:23 AM. The anal leakage woman is talking about dating (men) again after 28 years. She met a man recently who gets four days’ use out of a single pair of underwear by wearing them (consecutively) right side out facing front, inside out facing front, right side out backwards, inside out backwards. This same woman is bemoaning the lack of nice men to date in Seattle. She says that since few men have the courage to ask her out, she feels like she has to go out with anyone who asks. She is re-thinking this strategy after Underwear Man. Someone suggests that she should ask men out instead of waiting for them to make the first move. She responds, completely sincerely, that men don’t like to be asked out, it makes them uncomfortable, and so the only ones who would say yes are the ones who are really needy, and she doesn’t want to deal with that.

6:36 AM. As I finish my second circuit, there are several conversations going on, but one voice rises over the top: “Oh, men don’t want women to talk!” This is met by a shriek of general laughter as everyone gets the brief mental picture of what men would prefer women do with their mouths. Everyone, from the very quiet 30-something who just came in, to the woman in her 70’s who has done more than a thousand of these workouts, is pretty much helpless with the kind of cackling laughter that I imagine sometimes renders women absolutely alien to men.

6:45 AM. I have stretched and done pushups and crunches while the talk around me has moved to other things: jobs, grandkids, the election (That debate just made me want to puke! someone says), how long it takes to drive to Tacoma in the morning commute. I leave. I feel good.

I grew up Southern. I learned early how to get along with men, and I saw how the women of my culture managed the men around them. I know what a lady is, and I know how to be one. I’m pretty good at it when I must be. But I have to say, I much prefer the company of women, and the company of men who like them. I’m glad there are no ladies at my gym.

Like a writer after all

Robin and I are having an interesting conversation over in “Multitudes,” and she asked:

What is it like to be you today?

Well, here’s what it is. I have been nose-to-the-grindstone-focused on my new business project for several weeks now, and it’s starting to get to me. I will tell you all about it very shortly. It’s a cool project, cool enough that I’m a little worried it will change my life in ways that I’m not sure I want or am ready for. Or maybe it won’t. It’s hard to know. So it’s exciting…

…but it’s not creative. Or at least not the particular kind of creative I need to keep the channel open inside me, that passage to the deep places of myself. When I do the kind of work I’m involved in right now, I become microscopically focused on the details of what must be done. I line them up and knock them down. And when I pull my focus back, I don’t find myself tired-but-fizzing with work well done, bright with some new life lived for those hours. I just find myself tired.

And so last night I ate an entire 11″ South Philly with spinach after-bake pizza all by myself, drank a little too much beer, didn’t sleep that well, got up thinking I would get back to work on the project…

… and found myself doing this instead.

[scrippet]

FADE IN…

Onto a small-town commercial street at dusk… as a pirate runs shrieking from a hardware store, chased by a princess with a sword.

GO WIDER: Other kids in costumes. Parents chatting. College youth sauntering into bars. Halloween is in full swing in a small college town.

ENGINES GROWL as two motorcycles turn onto the street. Both RIDERS wear battered leathers and full-face helmets.

The locals stare. RIDER #1 stares back, invisible through the black-glass visor. RIDER #2 gives the little princess a wave.

They park outside a hotel next to a bar, Rider #1 with visible reluctance. Engines OFF.

Rider #1 begins to pull off the helmet…

EXT. HOTEL – DAY (DUSK) – CONTINUOUS

Several DRUNK COLLEGE STUDENTS have paused outside the bar. One girl gives the bikes — and the Riders — an appreciative look. Her boyfriend tugs her against him possessively as Rider #1’s helmet comes off —

— and reveals a woman. RAE DONOVAN, 40’s, a little detached, a lot tough. Always on alert.

The college girl looks confused. The boys react predictably to a woman in leather. Rae gives them a dismissive stare.

Behind Rae, Rider #2 removes the helmet. She is STELLA DONOVAN, early to mid-60’s. No Botox, no surgery, just strong and sexy straight out of the box.

Stella gives Rae an impatient look. Rae grabs a bag from the back of her bike and stalks grimly toward the hotel entrance. As Stella follows —

DRUNK COLLEGE BOY
Yow! Bring it, granny!

STELLA
I’m not your fuckin’ granny.

RAE
(doesn’t look back)
Mom.

The college students jostle each other as Rae and Stella enter the hotel.
[/scrippet]

What’s it like to be me today? A little bit more like being a writer. And that feels good. And it turns out that western civilization didn’t end just because I took my eye off my other project for a couple of hours.

Thanks for asking!

Formatted using the extremely cool Scrippets plugin.