Secret journey

It’s not surprising to find me reflecting on writing the day after the Nebula news. So many stories of writing! Nicola has told the story of the first Nebula (when we were both nominated the same year) when we stopped in the middle of working on our new house and went out to a restaurant with paint in our hair. And last night we drank a bottle of pinot gris in front of the fire and then ate leftover spaghetti, partly because we can’t really afford to go out right now and partly because, well, there are lots of ways to celebrate. After more than 20 years together, we’re good at making just about anything feel special if we want to.

That skill to turn a moment to our own purpose — to alter the emotional dynamic (or to cement it), to step into a new perspective, to feel fully and then move on, to find the next thing to say that will turn us down a different road — that’s a writing skill as well as a life skill. I can’t imagine either life or work without it.

I wrote my first serious story — the first that I conceived and started and finished though I knew it wasn’t very good, because it was the finishing that mattered — at age 20 or so. I had returned to Florida after four wonderful years at boarding school and one disastrous year at Northwestern University. I was living with my mother; she worked two jobs (one full-time), I worked two or three part-time jobs and carried a full course load at the University of South Florida to keep the grants I’d earned. I was in the theatre program, so I spent many nights rehearsing for classes or shows, performing, building sets, tearing them down…

We were always tired. And sometimes, in the middle of washing the dishes that had piled up over days because I just couldn’t face the kitchen (it was an old house, it was Florida, there were bugs, it was just no fun), I would find myself feeling the particular hopelessness of youth, the angst of I want things to be better but I don’t know how, I don’t have the money, and it all takes so long… That’s where my first real story came from, and it was appropriately, y’know, angsty, about a lonely dying woman who smuggles herself onto a rocket so that when it re-enters the atmosphere and burns, she will be the streak of light that people see overhead.

Sometimes I still get angsty about writing, about life. But I have better strategies now. I know how to change those moments, how to feel and move on, how to turn down a different road. I no longer must eradicate the tiny biting voices that sometimes speak from under my breastbone. They’re like the bugs in Florida, resilient and good at hiding in the cracks, and you just can’t win at their game. The trick with bugs and voices is to just smile and say, Oh, you again, yeah, yeah, hello, go away now.

When I was washing those millions of dishes all those years ago, I often listened to music on my headphones. Standing over the dirty water, I would play a movie in my head: the sink was a set, behind me were the cameras and the director, and we were all telling a story about a woman on a secret journey of struggle; but she was determined, and she would triumph, and everyone in the audience would be glad.

It was only later that I came to see that what I really wanted was my own secret journey, whose wanderings (occasionally off the map) would be fully mine, not just a “story” to please other people. And that’s what led me to Clarion, and Nicola, and Solitaire, and screenwriting, and “Dangerous Space,” and this lovely third-time “movie moment” of a Nebula nomination that I can celebrate any damn way I please. Because it’s not some character who’s feeling good. It’s me.


click here if you can’t see the player

“Dangerous Space” is a Nebula finalist

I’m delighted to announce that “Dangerous Space” is a finalist for the Nebula Award.

My thanks to the SFWA members who have supported the story — the approval of other writers is very special to me, and I appreciate it more than I can say. This is my third time as a Nebula finalist, and the thrill never goes away. Congratulations to all the finalists. I’m honored to be in your company.

And my special thanks to Aqueduct Press for publishing the collection and giving me the chance to tell another tale of Mars, of all my characters the one who most compels me.

The Nebula Awards will be presented the weekend of April 24-26 in Los Angeles. I hope that Nicola and I will be there — it would be lovely to meet new people and reconnect with old friends. Speculative fiction writers know how to party (grin).

I invite you to read “Dangerous Space” (in PDF format), and let me know what you think. And thanks to all of you who have let me know in the past that you enjoy my stories: this moment in the spotlight is lovely, but nothing compares to the immense pleasure I get knowing that I’ve told you a story that has touched you.

Friday pint

Every Friday I transfer posts here from the Virtual Pint archives.

Some long stories and rambling thoughts in today’s serving of pints, so let’s just get straight to it:

  • Wisconamania (June 2006) — The vagaries of travel and exuberance of conventioneering.
  • Naked (July 2006) — The writer is the doorway.
  • Agents (October 2006) — Does it matter who you have? Well, think of it as getting married…

I hope all is well with you, wherever you are. Enjoy your Friday.

Smile, you’re on secret camera

When I see something like this, I am once again nine years old, reading Harriett the Spy and creeping around my neighborhood with a notebook, peering into people’s windows.

Super Secret Spy Lens

The Super Secret Spy Lens is basically a periscope lens that lets you appear to be shooting straight ahead, when really you’re taking a photo of something to the side (or below, or above — it’s got a 360-degree swivel). Get it here.

If you had one of these, what would you use it for? Would you be the hero of your own spy story, getting the goods on a terrorist agent? A hard-boiled PI stalking a client’s cheating wife and falling hard for the wrong dame? A high school kid with a science project that accidentally records the only proof of a plot to kill the president? The possibilities are endless…

Enjoy your Thursday.

Give Zoe Keating credit

Recently, NPR used the music of Zoe Keating in a program without credit or attribution. Many people have posted about this, and the story exploded on the internet when writer and actor Wil Wheaton blogged about it and lit a fire under his bazillions of readers (including me) to spread the story.

I’m amazed to find on the NPR website, as of about two minutes ago, absolutely nothing in response to the towering stack of email (oooh, spot the paper-metaphor-using old person) they must have received by now.

The cool thing is that Keating is probably getting way more exposure from angry webizens than she might have got from a properly-given attribution. And she deserves it: she’s pretty amazing. See and hear for yourself, and then please go read Wil Wheaton’s post — it includes a description of how Keating makes this marvelous music, and quotes her (honest and dignified) response to the situation.

Gorgeous music. I’m sorry she hasn’t yet received the credit she deserves from NPR, but I’m very grateful to the InterWeb for bringing her to my attention. How lovely to find such beauty in this pixellated world.

[Edited to add later today: Here’s an update from Wil Wheaton (via Karina). “One final update: A few people from NPR left comments here or on Twitter, and it appears that this was, in fact, a mistake. Reader JV sent me an e-mail just a moment ago with a link to NPR’s website, where they’ve credited Zoe for her music. I’ve always thought NPR were the good guys, and I’m glad that people there made an effort to make things right.”]

What do you like?

I saw this meme on Facebook, no idea where, but thank you to whomever put it in my head (although maybe the rest of you won’t thank me for putting it into yours, who knows?….). The game is this: go to Google, type (in quotes) “(your name) likes to”. And what you’ll get is Google’s amalgam of all the people named like you who have ever filled out a social media profile with these words.

This is basically the InterWeb’s way of keeping us all humble.

Among other things, Google says that “Kelley likes to”…

… spend time with her family and watch her younger brother play sports. She also likes to snow ski, go shopping, and watch baseball, especially the Minnesota Twins players Tori Hunter and Joe Mauer…

… run and run and run…

… spend Sunday afternoons riding in a car.. The automobile is one of her favorite inventions, but she says “I’ll have to learn something about one before I drive it.”…

… hide from me at shows. But I know she’s there …

… “lounge around” with her pride and joy, a four pound Chihuahua named Pinki…

… dis strippers and strip clubs – a LOT… She can also be very cheesy in her between-section monologues…

… imagine the day when society goes paperless …

… see children for their first dental visit around age three…

… pose as an investigative journalist…

… use onside kicks and doesn’t like punting — even in long-yardage situations…

… paint pigs…

And now you know all about me (grin). What does the internet think you like to do?

Age before beauty

When the music changes, so does the dance. — African proverb

I realize I haven’t talked about dancing in a while. Things have changed, and although change is, of course, to be deplored (my favorite line ever from Thunderbirds), this one has been good.

Last year, the boss of the dances (the lovely Pauline) decided for cash-flow reasons to lay off all the Seattle go-go’s. I was disappointed: it had gone from a lark to something a little more important for me. I had (finally!) started to own the part of me that likes public attention and approval, and the feeling of power that comes from being able to draw that response from people. I went to my job every month hoping people would like me.

And then I began to watch some of the other dancers and realize that there was a lot I could learn from what they were doing. I could be an even better dancer if only I was willing to stop “hoping” for approval and actually start working for it.

I went online and watched some other women and men dance. I worked on some new moves at home. I went to Goodwill and bought some new dancing outfits probably no more than a week before Pauline sent us the Thanks for all your hard work email. And I sighed and thought, well, so it goes. Back to dancing on the floor, fighting it out for space without a legitimate reason to take the stage and put on a show. Pauline told me I was welcome to get up on stage anytime for fun, but I shook my head because it felt too much like showing off, too much like desperation or… something. It felt (brace yourselves) inappropriate.

Perhaps you can see what’s coming. I’m glad someone can, because it always seems to take me a really long time.

I started going to the dances early so I could have a lot of room (I Do Not Like to dance in one square foot of space without being able to swing my hips or raise my arms). And when the music started and no one else would get out on the floor (high school is with us forever in this way), I thought that I could either lose my dancing time or just get out there and dance. So I did.

And then I went back next month and did it again.

The month after that, a woman approached me as I was buying my pre-dance beer. She wanted to tell me how much she enjoyed watching me dance, and how much she enjoyed that I was willing to get out there on my own. We chatted; and then I went out to dance, by myself. She wouldn’t join me on the empty floor. But later I saw her out there, in the crowd but dancing by herself. And I thought, You go, girl.

And then there was the time that a woman came up to me on the floor and told me she’d always enjoyed my dancing and was sorry I wasn’t a go-go anymore, but if she gave me a dollar would I get up on stage and dance? I blinked; and at first I said no, and she went away. And I had one of those Just kick me now because I really need it moments, where I realized that something I wanted had just come knocking and I wasn’t answering the door.

I hunted the club until I found her, and I told her that if she still wanted me to dance, I would. And I did. And she gave me a dollar. The best damn tip I ever had.

More things have changed. We’re at a new club now. I show up early, and I dance. When the floor becomes crowded, I get up on stage (usually with my friend Tami, occasionally by myself) and dance my ass off. I do it for myself, and I do it for anyone who cares to watch. I put on a show. I do it on purpose, and I work for the approval I get. I dance full-out for a couple of hours, by which time I am exhausted and literally covered in sweat: my hair drips, every bit of clothing is soaked through, my legs hurt. During that time, women on the floor catch my eye and dance for me, and I dance back, and everyone smiles. Sometimes a woman will come to the foot of the stage and then gather her courage, climb up, and we’ll dance together. And it always pleases me to see how much fun they have when they realize that it isn’t inappropriate at all to let the music move you with other people, for other people, in the joy of being alive.

There’s more on this topic. It runs deep, and turns out to be connected to a lot of other things happening in my life right now. But for today, I will just say that I am having fun in ways I always dreamed of but was never willing to do. I am powerful when I dance, and sexual, and beautiful, and a lot of other things that are not “appropriate” to a woman my age in this culture of youth.

And I like it that way. I don’t want to be young anymore. Young women come into the club for these dances, and they are lovely and fearless in their own way, but their dancing does not move me because it is only Look at my body! dancing. They don’t yet understand what it means to dance themselves. Sometimes they look at me and my friends, and sometimes I can see them thinking how weird it is to see old people shaking it with so little inhibition. My hope for them is that when they’re old, they don’t let themselves believe it’s weird anymore; that they will dance themselves too, and transform themselves from pretty girls into beautiful women moving with all the joy, anger, pain, power, fire that is in them.

You know the expression “Age before beauty” that people use sometimes as a sideways put-down? Well, I’m thinking now that the only appropriate response is Yes, that’s how it works. But hang in there, someday you’ll get there too.

Those special teaching moments

You must go right now and read the customer reviews for this product on amazon. Come back and thank me later, when you stop laughing (and thank you, Dan, for sending it to me).

There were times during the Borg GWB years that I felt maybe resistance really was futile. But oh, the power of humans to find a way to say the thing… sometimes in the most unexpected places.

Why are you still here? Go, go!

Enjoy your Saturday.

Friday pint

Every Friday I transfer posts here from the Virtual Pint archives.

  • Pretty shiny things (April 2006) — So titled not because of what I say in the post, but what the post says about me. I go through jackdaw phases: Look! A pretty shiny thing! Let’s pick it up and find out what it is! And there I go, off down some trail of learning or doing or just wandering around, blinking happily and stopping for the occasional bottle of wine.
  • Meaning and vulnerability (April 2006) — I actually transferred this post a while back, so it will be familiar to some of you. How much of the writer does one find in the work? My current answer: if she’s that good, she’s all there, but none of her shows.
  • Slower (May 2006) — Here’s another example of that no-pain-in-public cheerfulness I was talking about in last week’s pint. I was full of despair at this point about everything to do with writing, and was already having the first tentative discussions with Nicola about whether she’d still love me if I wasn’t a writer anymore. She said yes, and held me while I cried, and told me I would always be a writer.

    But I sure wasn’t feeling like one. And so I dusted myself off and started developing Humans At Work. It was something I had wanted to do for years: but here I was, doing it for the wrong reason, doing it because I had lost faith that I could do the thing I wanted most. That was a hard time.

  • But today is not that day. Today looks like a nice day, and tomorrow there will be dancing, and the thing about life is that if you let it, it goes on. February 2009 is hard, but I’d still rather be here than May 2006. Wherever you are, whatever you’re doing, I hope you’re in a good place too.

Let no one put asunder

My thanks to the always-fabulous Kelly E for turning me on to the Courage Campaign and this video.

If you live in California (and depending on your politics), you may be interested in the Courage Campaign’s approach to grassroots organizing around state issues. But no matter where you live, if you opposed Proposition 8, then please be aware that Ken Starr has filed suit in California to defend the constitutionality of Prop 8 and to dissolve the more than 18,000 legal marriages that took place before Prop 8 took away the right to marry.

That’s so far beyond cruel I can’t even believe it. I don’t understand how people justify such things to themselves.

I’m sharing this video so that more people will be aware of this situation. The California Supreme Court hears arguments March 5. There is still time, if you choose, to sign the Courage Campaign’s letter to the Court, and to spread the word.

Look at these beautiful, happy people. There’s so much need for love in this hard world. Why would anyone wish to hurt people who are trying their best to put more love into their own lives and the lives of others?



“Fidelity”: Don’t Divorce… from Courage Campaign on Vimeo.