In which the screenwriter shares her vision

I have this character in my head. She keeps appearing places: on trains, in the city, on the highway. I see her out there. She is heroic, but not like any hero we’ve ever seen.
— Debra Winger in this interview with The Guardian

I am proud of the women in the screenplay I have in development. They are as real as I can make them. They pass the Bechdel test. I love them, as I love all the characters of my fiction — and thank goodness, because I would hate to spend this much time with people I don’t like, real or not.

And they are young women. That’s what’s required for this story, and fair enough.

So here’s what I hope — that writing them well helps get the movie made, and helps me establish myself as a professional screenwriter. So that I can write the literally dozens of stories I have in my head for women in their 40’s, 50’s, 60’s… stories of adventure, bravery, sex, love, action, suspense, big feelings, small everyday moments, across the spectrum of human relationships. Not sweet old lady stories; not stories where women play someone’s mommy or grandmommy in the background. We get enough of those. The stories in my head are muscular stories of intriguing, compelling people who come in grownup female packages and do things that apparently will startle the hell out of the men who run Hollywood.

I want to do it for Debra Winger.

And Meryl Streep.

And Emma Thompson.

For every woman who has ever had to choose between playing bullshit roles or playing none at all.

For every woman over 40 who loves the movies but wonders why no one who looks like her is up on screen kicking ass and taking names, living large, being sexy, being frightened of something besides old age or loneliness, and maybe, just maybe, being the hero every once in a while.

That’s what I’m going to write. And I can’t wait.

Big screen women

The screenwriting life continues to have a storybook-quality wackiness that fascinates, frustrates, amuses, and occasionally depresses me, although really it’s mostly fun as long as I stop attaching to the outcome. I am learning huge lessons in loving what I’m doing in the moment, because tomorrow may never come…

But that’s a story for another time. I find I am reluctant to talk about my particular experience of this screenplay while it’s still ongoing. Not out of superstition, but because it’s too close to me. I wrote a while back about boundaries: well, this is private for me right now.

But I can tell you that there a couple of great roles for women in the script, and that I’m intensely interested in and frustrated by the absolute terror that studios have of movies with women. Who knew girls were so scary? Oh, sorry, girls aren’t scary, they just can’t open movies!

You may imagine my response to this (grin). And after you’ve had some fun with that, go read what Emma Thompson and Liane Balaban (who appear together in the upcoming film Last Chance Harvey) have to say about it.

And can I just say that Emma Thompson rocks?

Enjoy your Saturday.