CW 5: Drive

I wrote this today as part of my commitment to the Clarion West Write-a-thon. A dedication means that person sponsored it by donating to CW, and then provided me a writing prompt that sparked the piece. If you would like something written especially for you, please consider sponsoring me.

Here’s all the work of the 41 days. You’ll also find these pieces cross-posted at Sterling Editing as incentive for writers to practice their editing and story-building skills.

Enjoy.


Drive

for Jude Berg. Thank you for your friendship and support.

Madeline is driving to her lover, and even now, Maddy loves to drive. Not the motorway parking lot, not the commuter creep; certainly not all those red lights. Red is for stop. Driving is for go go go.

She is driving to Lizzie. She has a bottle of water and a go-cup of coffee in the holder. She’s jacked on the starch of road food and the fear that her soul connection to a woman 500 miles away is fraying fast, and all she can do is drive. Give herself to the road, to the big blue hand of day, the huge dark mouth of night, the machine and the music, the journey and the destination.

Lizzie is the end of the road.

Don’t go, she said when Lizzie got the job. But Lizzie had seen more than a path opening before her: she had seen a racetrack, and Lizzie loved to move fast.

I’ll go with you, Maddy said when Lizzie planned the move. But that wasn’t Lizzie’s style. The company’s temporary apartment was so small. All her energy would be in navigating those first important weeks, getting up to speed. We’ve got email. We’ve got Skype. We’ve got instant messaging, Mads, we can reach each other anytime. You won’t even know I’m gone.

“At least let me drive you,” Maddy said when she had given up the hope of everything else, when she felt dull with confusion.

Lizzie laughed. “Flying is faster.”

“By the time you get the taxi to the airport, and go through security, and wait to board, and sit out the weather delays, and fly there, and collect your bags, and get a rental car, and find your way to the new place….” We could drive there, she would have finished, but Lizzie’s face was zipped closed over impatience and anger, the same way her bag was zipped over all her favorite things. And Lizzie was going going gone.

If only she had let Mads drive.

All of Lizzie’s promises. Going going gone. Emails short on detail and shorter in tone. The wrong schedule for Skype, too tired to talk. Instant turned into farther and farther between.

All of Lizzie’s fucking red lights.

But Mads is in her car now, and all the lights are green. She’s got her edge back. It’s in the bag.

Because there are things you can only do in person.

Love.

Rage.

CW 4: The Locks and the Ladders

I wrote this today as part of my commitment to the Clarion West Write-a-thon. A dedication means that person sponsored it by donating to CW, and then provided me a writing prompt that sparked the piece. If you would like something written especially for you, please consider sponsoring me.

Here’s all the work of the 41 days. You’ll also find these pieces cross-posted at Sterling Editing as incentive for writers to practice their editing and story-building skills.

Enjoy.


The Locks and the Ladders

for Ronnie Garvey. I love you, BFF.

Jet poked me hard in the shoulder. “That fucking hurts,” I said.

“No swearing on the bus,” the driver said automatically, without even looking in the mirror.

Jet said, “What’s wrong, Cassie? You look like your cat died.”

“I don’t have a cat.”

“I know, that’s why it’s okay to say it. If you really had a cat, it would be completely insensitive.”

I went back to staring out the school bus window.

“So what is it?” she said. “You look like your pony died.”

You know how someone can make you smile even when you don’t want to? And for a second you want to smack them on the nose for getting inside you like that? But you’ve been best friends since kindergarten, and so it would just be like smacking yourself. That’s Jet. She’s the only one who will tell me I have something nasty showing in my nose. I’m the only one who knows that her brother’s not at college, he’s in rehab in Salt Lake, and she is terrified that he will kill himself. And when I holed up in my room last month crying over Jamal Watson and playing Evanescence so loud it hurt my ears, she snuck to his house in the middle of the night and let the air out of his tires. All four of them. It took her an hour in the rain.

“Cass,” she said. No kidding this time.

The front wheel of the bus hit a pothole. We all went up and down in our seats. The back wheel hit. Up and down, while the world outside the bus stayed level. No one out there felt the jolt. No one raised their hand and said Can you give me a break with the thrill ride, I got motion sickness here! I cannot wait to be a part of that world.

“The Dickhead is moving us to Oklahoma City at the end of the school year,” I said.

“What the fuck?” she said. About a dozen kids responded, in perfection caricature of the driver, “No swearing on the bus,” before they went back to seeing who could complain loudest about a stupid field trip to look at stupid fish.

“They told me this morning.”

Jet opened her mouth. Then she closed it again. She looked like she did the day she told me about Tyler’s crack habit. Five years old again.

“I can’t start crying about this right now,” I said. “I can’t. Not…” Not here, is what I meant. Not in front of these people whose idea of special bonding is to make fun of the bus driver.

She swallowed. “Okay,” she said, and took a breath, and pushed it all back down.

The bus turned into the parking lot of the Ballard Locks. When we got off, Jet rubbed a smudge from under my eye, and then we linked arms and followed the teacher.

We didn’t talk. Jet kept her arm in mine. I thought about living someplace strange with only Dickhead and my mother to rely on. I must have made a noise, because Jet said in a low voice, “Breathe.” I took a deep breath. Pushed it down.

“This way to the fish ladders!” the teacher called to the group. “You want to see persistence in action, salmon are it!” Because we’re just kids and none of us have any fucking idea what it’s like to swim upstream.

“Breathe,” Jet said.

A tunnel sloped down to a room with windows into the underwater. Kids pushed by, snarking about the teacher and the bus driver, Jesus, give it a rest, I thought, and I didn’t want to see the little fish swimming out to the wide wild sea where things were waiting to eat them.

I shook my head. “Cool,” Jet said. “Let’s go watch the boats.”

We stood at the observation rail over the locks. Fishing boats, pleasure boats, crowding in together, waiting for the water to go up and down.

“Breathe,” Jet said. And then, “Look!” But I was thinking Oklahoma City thoughts, and I could only see the boats at the bottom of the nearly-empty lock, tied to bumpers between the narrow walls. I could imagine the fish climbing their ladders.

Jet poked me in the shoulder. “Look,” she said.

Two seagulls were flying above the canal. Just ordinary gulls. No one else paid any attention to them. But the birds rode the air currents as if it were easy, as if they were going nowhere in particular, as if it were enough to fly together in the sun.

I leaned against her shoulder. I breathed. In the lock, the water began to rise.

CW 3: The Public Library

I wrote this today as part of my commitment to the Clarion West Write-a-thon. A dedication means that person sponsored it by donating to CW, and then provided me a writing prompt that sparked the piece. If you would like something written especially for you, please consider sponsoring me.

Here’s all the work of the 41 days. You’ll also find these pieces cross-posted at Sterling Editing as incentive for writers to practice their editing and story-building skills.

Enjoy.


The Public Library

for Graeme Williams. Thank you for supporting my work and Clarion West.

“What did you do before?” the soldier said.

“I was an administrative assistant,” Mary said.

“Camp librarian,” he said. “Military and community. Liase with the teachers and commander’s personal admin. Next.”

“Wait…. you have books?”

He gave her an Are you stupid? look. She flinched. Of course there were no books. Shakespeare was the extra lining in your clothes that kept you warm. Romance novels lit your cookfires. Jane Austen wiped the diarrhea from your child’s bottoms. And the pages of all those self-help books made great stuffing for the chinks in a drafty barracks.

“Figure it out,” he said. “Next.”

She stepped out of line.

When she was six, her family had taken a beach vacation to northern Florida. It rained most every day, and there were giant spiders under the cottage porch. They didn’t scare Mary, but her brother Norton freaked the fuck out. That’s what Yessir called it, when Nordy stood red-faced and ashamed on the carpet in the small living room, and Mary and her mother sat at the kitchen table as they had been told to do while her stepfather put Nordy back on the right path.

“You freaked the fuck out over an insect!”

“Yes, sir,” Nordy said, in such a low voice that Mary could hardly hear it. She leaned close to her mom and said in a whisper, “It’s not an insect. It’s an arach… ara…”

“Arak-nid,” her mom whispered back. And as Yessir ranted at Nordy in the next room, What’ll you do when the terrorists come for your mother and sister, you little faggot?, her mom kept going. “That’s right. From the Latin arachnida. That kind is called a wolf spider. They hunt instead of building webs. They eat bugs.”

Mary thought of Nordy standing scared under Yessir’s bug-eyed fury. “I like spiders,” she said.

“Me, too,” her mom said. “You know, once there was a very wonderful spider called Charlotte. She was the kind that builds webs, and she built her web in a farmyard.” And her mom kept talking, telling her about Charlotte, until Yessir stopped shouting and sent Nordy to his room.

Why was she thinking of Charlotte now? Why was she remembering something that had happened forty years ago, before the spiders of war hunted each other down into nuclear winter and it seemed that all the world had gone to ground in camps like this one, and all the books had become just paper, and the internet was something they all hoped they’d get back one day when the armies were done with it?

And then she knew.

When she explained to the commander’s personal assistant what she wanted, he gave her a pencil and single, precious piece of paper that had only been used a couple times before: there was still space left. Then she began moving among the camp, meeting people, making tiny notes when she needed, but mostly trying to memorize everything she could. A good librarian didn’t need a catalogue of her own resources. A good librarian knew where to find the information.

Five days later, she set up a desk in a corner of the administrative barracks, along with as many tables and chairs or stools or boxes as she could commandeer. A practiced young man with a paint sprayer stencilled letters on the wall behind her. “Put it on the outside, too,” she told him. “So everyone can see it.”

And so he did. Public Library.

It took about twenty minutes for the first civilian to approach. He was maybe thirty-five; his hands were blistered as if he’d been using unaccustomed tools. She imagined a shovel or a saw.

He said cautiously, “Is this the library?”

“Yes, it is,” Mary said. “I’m the librarian. How can I help you?” She hoped it didn’t come out sounding too much like Oh my God I hope this works.

“Umm… do you have the Harry Potter books?” His face was tight in the way of someone already braced for the bad news, already feeling like a fool.

Mary said, “Can you come back in about an hour?” And watched his expression transform. It really was true, she thought. People’s faces could light up.

The guy came back in an hour. With seven other people, all of whom looked both hopeful and deeply suspicious. She led them to a table where a young woman of about twenty waited. “Have a seat, everyone,” Mary said. Then she nodded to the young woman.

“Okay,” the woman said. She looked at the group. “Okay.” She took a breath. “Once there was a boy named Harry Potter who lived with his uncle and aunt and obnoxious cousin, a real little shit. I mean…”

“No,” said the guy. “He was a shit. So…”

“So they actually made Harry sleep in a tiny little room under the stairs…”

Mary went back to the table, and turned her head so that the human book and the human readers would not see her cry.

CW 1: The Far West

I wrote this today as part of my commitment to the Clarion West Write-a-thon. A dedication means that person sponsored it by donating to CW, and then provided me a writing prompt that sparked the piece. If you would like something written especially for you, please consider sponsoring me.

Here’s all the work of the 41 days. You’ll also find these pieces cross-posted at Sterling Editing as incentive for writers to practice their editing and story-building skills.

Enjoy.


The Far West

for Sharon Woodbury. I love you, Mum.

Great and terrible things come from the Far West; great and terrible things flock to it. The road through the desert brings them all past the Last Chance for Whatever, where Beth Harvey sells gasoline and milk, men’s ties, dog whistles, a selection of stuffed animals, sometimes herself. “The sign says Whatever, Lucas,” she told me once. “People need what they need.”

There’s a snow shovel in the hardware section. “It’s the desert,” I said once, a long time ago. “What does anyone need that for?”

She shrugged. “Works on sand, too,” was all she said. I didn’t get it at the time. Now, of course, I know the point of a snow shovel. It is not made sharp for digging down into a thing; it is made flat to push aside whatever’s in your way. The snow shovel is a tool to keep things moving.

Most every day, I sit at one of the three small cafe tables near the picture window. I drink a bottle of Bud and maybe eat one of Beth’s egg salad sandwiches, and I watch the road and what goes by on it. Sometimes I see things that make me want another bottle, that make me want to count my dead soldiers by sixes rather than singles; but after what happened that one time, I have never opened the cooler more than once on any given day. I won’t tell you what happened that day, not yet, but I will say that most great and terrible things are not obvious monsters or demons or gods. They are people who are trying to move something out of their way so they can get to another place, and will do whatever they must to make that happen. That is when people become great and terrible; when they know exactly what they need.

Some places are small. Some places are green and smell of springwater and secrets. Some places are a whirl of neon and human noise. The Far West is none of those things. The Far West is every dream you ever had of sky and ancient stone and silence, of possibility, of finally, finally finding someplace big enough for all the things you ever want to be. The Far West is the place of greatest pain you can imagine, where people dash each other down to the bedrock and wet their cereal with their children’s blood. People crawl across burning sand to reach it. People chew their own hearts out to escape it, and then they spend years finding their way back; because the Far West is never the same place twice. And that’s the power and the pull: once you get these notions into your heart or head, they muscle all your sensible self out of the way. And then things might get great, or terrible.

On the day I won’t tell you about yet, Beth was in the storeroom and I was drinking my beer. The road and the desert and the sky were empty of everything except sun and the sense of waiting that sometimes comes upon the land. Something is coming. Then I heard a small engine, and saw a motorscooter buzzing in from the West. A man drove; a woman held on behind him, her hair streaming hot and dusty, her eyes bright with sun. She was beautiful. One of the great ones.

Nicola says…

… that if I can raise $2,000 for Clarion West in the Write-a-thon, she just might do some naked writing too! (No, not that kind of naked, office chairs are not that comfortable…)

She is fabulous. And so is everyone who has pledged so far to support Clarion West by sponsoring me. You all rock, and I appreciate you. I hope lots of other folks will join in the fun these next few weeks.

Enjoy your day.

Interview at LambdaLiterary.org

Many thanks to Diana Denza and LambdaLiterary.org for the chance to do this interview about Solitaire. I enjoyed it. If you like it, please feel free to leave a comment over at Lambda Literary.

    And if you read the interview and came here to find out more about me, welcome! Help yourself to free fiction here on the site:

  • The first chapter of Solitaire

Enjoy.

The Big Idea

Many thanks to John Scalzi for the chance to talk about Solitaire as part of The Big Idea series at Whatever.

I would love to hear what you think, and am asking that you please leave comments at Whatever if you’d like to respond to the piece. And show some love to Scalzi: if you haven’t read his work, I suggest starting with Old Man’s War. Great story, well told.

Enjoy your day!

Solitaire returns

I am thrilled to announce that Solitaire is now available in print from Amazon.com, Barnes & Noble, your local independent bookstore, and direct from Small Beer Press — as well as Kindle and DRM-free e-book editions.

It’s a terrific feeling to have the book widely available again, and I thank Small Beer Press from the bottom of my heart for all the care they’ve given it. Go buy all their books, will you?

I’m also delighted by the response to the reissue. Here’s a lovely review from Nic Clarke at Eve’s Alexandria, and one from John Mesjak at my3books. Every author needs this kind of support: it’s the best way there is these days to spread the word about a book and help it find its audience. Its next audience, in this case. I’m extremely lucky to have such a fabulous reader base for my work: I am grateful to you all. It’s great fun connecting with you. And I’m sure that this fabulous cover and the sterling reputation of Small Beer Press will help Jackal and her friends find a whole new group of friends to bring to our party.

And stay tuned tomorrow when I’ll be doing a post for John Scalzi’s The Big Idea series on Whatever.

It’s a good day for me. I hope you’re enjoying yours.

Preorder Solitaire


 

Solitaire will be republished by Small Beer Press in January 2011.

Please go visit the marvelous bookpage they have set up: you will find this cover, the new author photo by the incredible Jennifer Durham, all kinds of nice quotes, and an opportunity to preorder the book either in printed version or in DRM-free PDF download.

You can also find Solitaire at Amazon.com, B&N.com or your favorite independent bookstore.

I’m so excited about this. I can’t imagine a better home for Solitaire than Small Beer Press, who value stories, are patient and kind to writers, love books and sell the hell out of them to anyone who will sit still. I am fortunate indeed to be with them (bows in the direction of Massachusetts). And I hope you’ll be excited for me too; you can show the love by preordering and making my publisher feel like he didn’t get a pig in a poke (smile).

If you’d like to support the relaunch of Solitaire and have ideas for events, marketing, reviewing, interviews, advertising, viral videos or anything else, please let Small Beer Press hear about them (info at smallbeerpress.com). Solitaire is a good book; I want it to make lots of new friends.

And please go look at the bookpage, and drop a comment over there if you’re inclined to let Gavin and the Small Beer crew know that they have done a cool thing by bringing Solitaire back to the party!

Taking readers apart

I am flat out delighted by this lovely review of Dangerous Space from Terry Weyna at Reading The Leaves. Apart from all the other nice things she says, I think she’s the first reviewer who has specifically called out what is, for me, the core of “Dangerous Space” — the artist’s creative process, and the role that other people sometimes play in it.

As for taking readers apart, well… yay (grin). There is no better praise for a writer than making people feel.

It’s true that I’m not doing as much writing as I’d like to be right now. And much of what I am doing, you don’t see — screenplay, story drafts, yadda yadda. I’m living in story all the time (even when I go to the grocery store) and that’s deep and rich and compelling for me. But it’s not enough. I want you to live in my stories too; I want them to live in you. It’s hard to explain all the thousand things I feel when a reader lets me know that’s happened. I suppose that is why I tell stories about it instead.

Enjoy your day.